Auto news on Youtube Jan 31 2018

If you've followed me on social media - especially Twitter - for any extended length of time,

you've probably seen me complain about comparison videos of render times between Adobe Premiere

Pro and Final Cut Pro X, or other NLEs.

Part of this frustration comes from the fact that most people involved really have no need

to focus on render times in the first place, and that I wholly believe that the overall

workflow is more important.

It's nice if an app can render a video way quicker than my rig, but if I have to edit

on a tiny little Macbook to make it happen - my hand and neck strain say no.

But part of the frustration also comes from the fact that it seems none of these people

take into account any of the optimization possibilities within Premiere Pro.

Yeah sure, if you just want the easiest out-of-box experience with performance - FCPX on a Macbook

Pro is the way to go.

But if you, as a video professional who spends hours upon hours in the same video editing

software, want to develop and polish your own production workflow - especially without

making the drastic shift over to Apple's closed-door platform, the whole conversation

is just embarrassing.

So in this video, I'd like to do my part to stop just complaining and hopefully provide

some valuable information based on the optimizations that have made a world of difference for my

workflow in Premiere.

I'm not an expert - just a guy who uses Premiere Pro daily for his work and has for

going on 5 years now.

This kind of thing is what I dig into whenever I experience problems with my software and

there's lots of little things I've done that I'll try to recall here.

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I'm EposVox, here to make tech easier and more fun, today taking a look at some issues

and optimizations related to Premiere Pro performance.

Specifically, I will be covering this from a Windows perspective - since that's what

I use and I don't own a modern Mac - but many or all of these settings will apply to

some varying degree on Mac, as well.

GPU First and foremost, let's cover the basic

hardware choice and optimization settings.

Premiere Pro editing relies most heavily on a bunch of CPU cores and a lot of RAM.

The more you can get in those departments, the better.

CUDA acceleration via a modern high-end Nvidia graphics card can improve your experience

and performance - but there's a lot of misinformation going around in that department.

Only some effects truly utilize the GPU for actual rendering.

Certain color effects and in-video effects, as well as frame size scaling - either upscaling

or downscaling - can utilize the GPU to be a little bit faster while the CPU handles

other things.

But when it comes to the actual encoding and decoding of your video footage - no video

codecs that you're going to use in any remotely normal workflow (professional or amateur)

will be GPU-accelerated.

So the primary part of your rendering process will not be made faster by a GPU - only specific

effects will use it.

That doesn't mean you can't benefit from having the GPU in your system, however.

While codecs are not GPU accelerated, using the Mercury Playback Engine with CUDA and

a graphics card certain codecs can sort-of utilize the GPU.

Codecs including Apple's ProRes, Avid's DNx series (DNxHD, DNxHQ, DNxHR), and Go Pro

Cineform are really, really fast - which we'll touch on in a minute.

But with these codecs, specifically, Premiere can use CUDA to offload the decoding of them

within your video timeline to your GPU so your CPU can handle other things.

This doesn't technically count as "GPU acceleration" - but it can speed up your

editing timeline performance drastically.

Data as to whether or not actual renders are sped up via the GPU with these codecs is extremely

inconsistent and hit-or-miss, even in my own testing.

So I will support Adobe's statement that there's no true GPU acceleration happening

here, but you might see little benefits if you have a GPU in your system anyway.

If choosing hardware and you had to choose between a more powerful processor with no

graphics card or a low-end one and a low-end processor with a beefy graphics card - I'd

say go for the more powerful processor and just use CPU only in Premiere if your graphics

card is a bottleneck.

RAM USAGE Basically, I'll be alternating between complicated

and simple tips to keep this easy to digest.

So next up, if you were unaware, Premiere (and any Adobe CC app since they share the

same pool of memory) lets you adjust how much of your system's RAM it can use.

By default, it's set to around 70 or 75% of your total system memory when first opening

the suite, but you can increase it.

This can be helpful if you do a lot of intensive timeline editing with many layers, nested

sequences, multiple Photoshop and After Effects dynamically-linked files, and so on.

The Adobe suite will eat up any RAM you give it - and some third-party plugins may actually

use beyond your set limit.

This doesn't mean you should give it ALL of your system memory, though.

If you do a lot of multitasking with non-Adobe apps while editing, they will need RAM, too.

There have been plenty of times when I have Windows popping up saying I've run out of

system memory and asks me to close Premiere.

Thankfully, I can just say "no" - but I do feel quite limited by my mere 32GB of

RAM at the moment.

MEDIA CACHE & Scratch One of the most over-looked yet important

aspects of Premiere's functionality lies in the "junk files" it creates.

Premiere relies heavily on its media cache files to do what it does.

The revolutionary advantage of Premiere over older NLEs back in the day was that you didn't

need to work within rigid formats - you can throw literally anything on the timeline and

Premiere will make it work.

But it does so by generating audio peak files, conformed file previews, and other cached

data.

This is also a bad thing, as all those files go to your boot drive by default and do not

clear themselves out automatically.

So if you've found your fast, but small, boot SSD to fill up very quickly after editing

a few projects in Premiere - that's likely why.

This sounds like an annoyance, but this is actually a HUGE point of potential optimization

to speed up your renders and the responsiveness of your project - especially if your main

footage storage is on a network drive.

And there's actually two different points of optimization for this setting.

Firstly, if you go to Edit - Preferences - Media Cache, you can clear out all the junk files

and move the actual media cache storage location to somewhere else.

Now you might think to move this to a big spinning hard drive or something to save on

space - BUT that will technically slow things down.

Premiere operates best when this is running from a local SSD - and even moreso from a

NVMe SSD with those unbelievably amazing random read speeds.

So if you truly want to maximize optimization for editing and rendering in Premiere - you

will get a LOT of performance gains by investing in a pair of SATA SSDs or a decent PCIe NVMe

SSD to run your Cache and Scratch Disk on.

This will improve timeline responsiveness and speed up renders, especially on network

footage.

The Scratch disk is actually changed on a per-project basis.

When you make a new project in modern versions of Premiere Pro, you have a tab for "Scratch

Disks."

Now with big, complex projects and workflows - especially on spinning disks - you may have

used individual disks for each category in the past.

But a single SSD for all of these will more than suffice.

You have to manually change each location, and sometimes it won't remember this for

new projects - but it's really worth doing.

The default locations for these files are in the same folders as your project files

- this is the biggest slowdown of network storage-based projects, as it has to load

all of the previews and such over the network, too, whereas storing them on a super fast

local drive provides HUGE performance gains.

Unless you're juggling dozens of projects at once and can't clear out the cache or

scratch disks, even just a single 120gb or 250gb NVMe SSD will suffice to handle both

of these cache settings and speed up your production.

Just keep in mind if you work on projects from multiple locations then you'd need

to re-generate all the previews and such on each machine and it might not work out the

same way.

Preview Now for another basic one that some editors

don't always consider - your playback preview resolution.

During normal editing, you don't really need to preview your timeline at 100% quality

the whole time.

It's important during color grading and checking detailed work, but the rest of the

time it's generally a good idea to drop your preview to 1/2 or 1/4 quality so that

the playback framerate is stable - especially if you're working with heavy H264 footage

or another unwieldy codec.

You can set in the options to show 100% quality when paused so you get nice still previews,

and then have much better timeline performance with lower qualities.

Saves a lot of hassle.

Overlay Clips Similarly with that, When working in a timeline

with a lot of overlay clips, lower-thirds, adjustment layers, and so on - simply turn

off those tracks once they're not in use while editing.

This will, naturally speed up your timeline performance tremendously.

Just remember to turn them back on and check things before rendering - but this is an all-too-forgotten

step.

No reason to keep rendering things realtime once you've settled on where they go.

Adjustment Layers Speaking of which - use adjustment layers

in the first place!

If you're adding color grading, color effects, and so on - apply them to adjustment layers

overtop the clips in the first place.

If the effects are applied directly to the clips, then you can't turn them off as easily

while editing, and it's just generally considered to be less-than-ideal practice.

Using them and color-coding them can help you keep track of things a lot better.

Sequence sizing If you're someone who regularly uses video

footage of varying sizes or frame rates, you can improve your timeline performance by holding

out on scaling them until the last possible moment.

Use nested sequences to edit your footage in their native resolution, and then bring

in the nested sequence and scale to fit your main timeline closer to the end.

It's much easier to edit footage at its native resolution and frame rate, and then

just let your computer power through the rendering of it later.

If you don't use many nested sequences in the first place - they can become your new

best friends if you learn to use them.

Color Labels This is more of a workflow optimization tip

than a performance one - but utilizing Premiere's color label system can really help you keep

track of a messy timeline more easily.

In the Preferences, you can select specific colors for your 8 labels - though annoyingly

they ONLY give us the ability to have 8 label colors at once, I hope they let us use more

soon - and you can assign defaults for your labels.

Still images are one color, video files another, Dynamic Links another, and so on.

But then you can use any extra ones for your own assignment - i.e. make a-roll green, b-roll

blue, standard graphics package red, additional graphics pink, and so on.

Creating your own color system and adhering to it regularly can help a LOT when it comes

to projects that you return to frequently, or just staying organized in general.

Codecs & Proxies Alright, let's talk about the messy subject

of video codecs.

This is super technical, and requires just some judgement calls about what is important

to you.

And again - I'm no expert, I'm learning as I go, but I wanted to share what I've

learned thus far so you can use it to your advantage.

Most… things… record in H264 or some variant of it these days.

Most cameras, most computer recording programs, capture cards, webcams, and smartphones.

H264 quickly dominated as the easiest codec for devices to handle and shove whatever quality

into a small file size.

The codec is quick to encode, but very very slow to decode - which is why timeline performance

and export performance from H264 is horrible.

It's not that your computer can't handle editing whatever resolution or frame rate

that you're attempting to use - but H264 is just that obnoxious to work with.

This creates a common disconnect between users and their hardware specs when it comes to

editing.

The good, or maybe bad, news is that there are other options.

Three other codecs perform remarkably better on the timeline, but take up nearly 10 times

the space.

Apple's ProRes, Avid's DNx codecs, and GoPro Cineform all perform amazingly on the

timeline.

Scrubbing quickly or with 100% playback quality are never an issue with these video codecs.

They're super lightweight when it comes to decoding them.

The tradeoff, however, is that they're basically uncompressed video formats.

So lightweight in performance means the opposite in storage space.

This is why many productions utilize "Proxy Files."

You could do this manually like I did during 2016: Set up an ingest station to automatically

take all your footage and transcode it to Cineform and spit it back out for you to edit

those files - it's an organizational mess, and is a storage headache.

Instead, you can actually use Premiere to automatically generate proxy files for your

project.

This is in your Project Settings when you first start a project, and can be accessed

by File - Project Settings - Ingest Settings.

You can use Adobe Media Encoder to set up a proxy preset - using Cineform or DNx on

Windows or ProRes on Mac - to use in Premiere.

I recommend setting a lower resolution (i.e. 720p) for speed and also making and adding

a low-opacity watermark for this, as well, that way you can quickly see when you're

using the proxies versus source files in Premiere.

Then use this preset in your project settings, set the proxy file location to an easily wipeable

folder - a local SSD perhaps?

cough cough - and import your footage.

Premiere will then automatically generate proxies in the background during inactive

periods while you're editing - much like the "background rendering" that Final

Cut Pro does.

You have a toggle to switch between proxies and source files in the Premiere Project Monitor

- so you can use the full-quality files for grading and the like.

Make sure you switch back to the source files before rendering and you're good to go!

Your projects will be much smoother to edit using these proxy files, and then you can

delete them once you're completely done with the project.

This is important for really bulky files like the big 10-bit 4K60 files generated by the

Panasonic GH5.

One of the benefits I'm looking forward to about my Atomos Ninja Inferno that I recently

purchased is that it records natively to ProRes or DNxHR, so I can have speedy edits straight

out of the box.

I'll be using this for some desktop recording, as well - which is great, as the lossless

Nvenc recordings I usually use are a nightmare to edit with.

As I mentioned before - CUDA acceleration in Premiere will actually offload some of

the decoding of Cineform, ProRes, and DNx to your GPU - allowing you to enjoy the benefit

of the smoother timeline performance without eating up as much CPU usage, so that's really

cool, too.

Photoshop Lastly is just a note on Photoshop files.

While the direct integration between Premiere and Photoshop is wonderful and a lifesaver

if you catch a mistake and need to edit your Photoshop files on the fly, really complex

and multi-layered Photoshop files can slow down your timeline and render performance.

So if you have some final production graphics, it may be worth it to export them as flattened

PNGs to save on performance if you're sure you won't be updating them.

And even if you do change them, you can simply replace the files in your project media folder

later.

Well there you have it!

My top 10 tips for optimizing Premiere Pro to get the most performance gains and a smoother

workflow.

I had no idea this video would wind up being so big, but I really feel there's some good

information in here that you don't see grouped together very often.

Premiere Pro is not a basic "YouTuber's tool" - it is a professional software that

is designed to be learned from the inside and out and tweaked and customized to your

specific workflow.

When comparing different NLEs, it's important to consider what optimizations are available

to you and where you might actually need to learn for your own software.

Hopefully I've opened this conversation up a bit beyond "look FCPX renders faster

on this tiny Macbook" or at least provided some useful information.

Was this guide helpful?

Smash the like button and get subscribed if so.

Have additional optimization tips that I should include or consider?

Leave them in the comments below.

Otherwise, I'm EposVox and I'll see you next time.

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Thanks!

For more infomation >> PREMIERE PRO OPTIMIZATION GUIDE - Top 10 Tips How to Optimize Adobe Premiere Pro CC 2018 (In-Depth) - Duration: 19:25.

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KLÆS Phlog #2. The ultimate video guide to extreme sharpness! - Duration: 7:30.

Welcome and great that you're watching a brand new vlog by Klaas.

Today, we will discuss focus I will give you 20 tips for getting maximum focus in your photography.

: Make sure you take pictures with a shutter time at least as fast as the size of your lens.

So, when you're taking pictures with a 200 millimeter lens,

make sure your shutter time is at least 1/200th of a second, and ideally even faster.

Tip 2: Make sure your subject stands still. If your model moves while you take pictures,

this can also cause motion blur.

When taking pictures, get your model to adopt a pose

and stand still briefly, before moving on to the next pose.

Tip 3: Make sure that you don't move yourself while taking pictures.

Train yourself to take pictures with your elbows pressed firmly against your body.

In that way, you can use yourself as a tripod.

Tip 4: When taking pictures, make sure you use minimum effort to operate the shutter button.

Only apply force with the tip of your finger.

I see a lot of photographers leaning forward a bit. This also causes motion blur and we don't want that!

Tip 5: Be sure to take pictures with flashlight. Flashlight freeze movement.

Do make sure you don't catch any ambient light, for movement can occur in ambient light.

Tip 6! When taking pictures using long shutter times, you should use a tripod.

Invest in a good quality tripod such as Manfrotto or Gitzo. It will set you back a few hundred euros, but you won't regret it.

Tip 7: Use image stabilisation.

With image stabilisation you can take pictures with a handheld camera.

Tip 8: Turn of your image stabilisation when your camera is placed on a tripod.

When your camera is standing still, your image stabilisation itself can cause motion blur.

And we don't want that!

If you've never had this problem, you're probably already using really fast shutter times or flashlight.

Tip 9! Use your camera's middle focus point.

The middle focus point is sharper.

You have to select a focus point for your camera, for else it will always focus a bit differently from what you want.

The middle focus point is always closer when repositioning your image and so you only have to make minimal movements

Tip 10: Make sure your camera is set to blocking your focus.

You can do this in your camera menu. With Canon, this the setting One Shot.

Tip 11: Turn on your camera's focus beep. That way, you will hear whether your camera has found the right focus.

Tip 12! Make sure your lens is calibrated to the body you are taking pictures with.

. It may the case that your focus point is just behind or in front of your camera's autofocus. This is known as front or back focus.

You can have this checked in a photo camera shop. I do it myself.

use a helpful tool for this called SpyderLensCall. I will tell you more about this in another vlog.

Tip 13: Clean your lenses and sensor. A dirty lens will result in a softer focus and we don't want that!

Tip 14: Make sure you know what your camera's sweet spot is.

Offcourse you want your images to be at their maximum amount of sharpness.

To accomplish this, the sharpness of your photo's need to be higher then the resolution of your camera.

This image is a perfect example of my sharpness being limited by the resolution.

(you can see the pixels, while the lens is still sharp)

The sweet spot is an F value at which your image has maximum focus.

This is never your maximum aperture, but always lies a few F stops above that.

So, my favorite lens is the 70-200mm 2.8. The sweet spot of this lens lies around F5.6/f8

a few stops above the maximum aperture.

Tip 16! Do not focus your landscapes on infinity, so not on the horizon,

but on a third from where your landscape begins, so a third from yourself.

Don't focus on the sweet spot either, but use a slightly higher F value for landscapes.

That way, you can be sure everything will have maximum focus.

Tip 17!! Invest in a good lens.

The quality of your lens determines the overall focus of your picture

and a mediocre lens will also result in a mediocre focus.

In general, prime lenses are sharper, so buy a good prime lens

A prime lens also has a larger aperture, so the sweet spot will be a bit lower as well. That is another advantage.

Tip 18: Make sure you have punch in your light.

Use light sources with lots of punch such as silver reflectors or beauty dishes.

You want to get some contrast in your model's skin.

And with more punch in your light, your pictures will look sharper as well.

Tip 19: Sharpen your pictures beforehand, using Lightroom or Camera Raw,

but also afterwards using Photoshop.

Raw files are not automatically sharpened and normally look fuzzy.

That's why you should sharpen every picture, for if it's not sharpened, it won't be sharp enough!

Tip 20: Practice as much as possible.

Practice focussing using only your index finger, with small movements.

Keep your elbows pressed tightly against your body. And find out what the sweet spot of your lens is.

The best way to do this is to place your camera on a tripod.

Select the widest aperture possible for your lens and go back in small steps.

Look at the pictures on your computer and find the sweet spot of your lens. So, the sweet spot is the picture that has optimal focus.

These were my twenty tips. I hope you found them useful.

Did you like this vlog or found it interesting? Then don't forget to click on the blue thumbs up.

Best of luck taking sharp pictures!

Cameraman (CM): No!

Klaas-Jelmer (KJ): Not OK? Allright, once more.

KJ: Welcome...welcome…

CM: We've got the first 5 seconds.

KJ: Welcome...welcome and great that you're watching a brand new vlog by KLÆS.

For more infomation >> KLÆS Phlog #2. The ultimate video guide to extreme sharpness! - Duration: 7:30.

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ULTIMATE AKALI GUIDE SEASON 8 2018 - League of Legends - Duration: 11:39.

Hello guys it's Remus here and welcome to the Sesaon 8 Ultimate Akali Guide, my annual

series since 2012 that helped a lot of people get pentakills, as you know I main her for

a hundred years and she's my favorite champion, I've played a ton of games with her, been

in the top few hundred Akali players in the world many times, I'm the best Akali player

in my house and I've made it to platinum 3 seasons in a row, plat 1 highest, last season

didn't play so much and only made it to Gold 1 but she's a lot better in this one, got

a pentakill in the first match of the preseason and had over 60% winrate with her after many

games, she's doing pretty well in placements and I'm aiming for Diamond now. She's an assassin,

works mid and top but I like her mid the most so I can roam better.

First, Abilities.

Her passive twin disciplines, empowers her next 2 basic attacks. The first one heals

her, and the second one deals increased magic damage if used within 4 seconds of the first

one. Both scale with AP and AD. It works on towers as well, and it's a nice

combo to use it together with exploding her Q and hextech revolver.

Mark of the assassin is her Q, when used she throws a kama at the targeted unit, marking

it for 6 seconds, when hitting the target with a basic attack the mark detonates for

bonus damage and restores 40 energy. A good combo you can do on lane is to double

explode it. Throw it once, wait for the CD to be almost done, explode it and explode

another one, it's always a good trade if you do it right. A new effect will cause this

to also draw minion aggro when used on a champion.

Her W, twilight shroud, blinks her to a nearby location and creates a smoke cover for 8 seconds,

the shrowd gives sight of the area, slows enemies and gives Akali bonus movement speed,

as well as true invisibility, meaning nothing but turrets can see her while inside, you

can also use the W to jump over walls, or combine it with R to catch enemies or to escape.

Her E, Crescent Slash is an AOE physical daamage ability with a short cooldown, and if a unit

is killed from it's use, the cooldown is reduced by 60%, so it's good for quickly farming waves

in late game.

And her Ultimate, shadow dance dashes to the selected unit dealing magic damage, she lands

behind the target based on how close they were, and closer for targets marked with Q,

that's why it's best to combo it with throwing a Q on the target first if in range. you instantly

have 3 charges when you learn the spell at level 6, and they recharge over time or when

getting kills and assists.

It's also good for killstealing.

You want to max your abilities in the following order: R Q E W and you should usually take

flash and ignite on mid, or you can take teleport on top.

For the new runes, I have tried multiple versions but my favorite and the one I'll recommend

to you is this one. Electrocute works amazing with her burst, you can pop it nicely together

with a Q, her passive, the hextech revolver or gunblade for quite a nice burst. I like

sudden impact since it procs from the ultimate, eyeball collection is good, and you'll stack

the bonus quite fast from kills or wards and ravenous hunter gives you a bit more healing

from abilities, and healing on Akali is great to have.

And I like to combine the domination runes with precision, note that at level 1 you will

have bonus AD if you don't start with an AP item. And here, I like to take triumph for

even more healing and some extra gold, since you'll farm kills not minions, and coup de

grace, that deals more damage to enemies that are low. Well, all enemies are low, but more

damage to those low on health.

Items: I still enjoy my old build, starting with boots for extra mobility, but you can

start with armor if you play vs AD or the dark seal as well. Rush Xextech Revolver and

upgrade it into Gunblade, and remember to use it in fights, it gives you AD and AP,

healing from all damage dealt and the active that deals damage and slow. Upgrade your boots

to sorcerer's usually, and I like to get Rylai after for the slow and bonus health, afterwards

I usually go for Zhonyas, it's helpful to save yourself or wait for cooldowns, or Lich

Bane, it works well with the passive and it's great at pushing towers and inhibitors. And

finish the build with Rabaddon's for the great AP. Void Staff is also good sometimes, if

they have a lot of magic resist, but everyone is a bit squishier this season and the assassin

build works great.

Counters. You are now hidden in the W but champions that can still damage you while

in it are very annoying, Lee Sin is probably the biggest problem, and others like Malzahar

and Rumble that can keep harrasing and slowing you all the time are hard to deal with, and

tankier champions. Still, it's easy to deal with squishy ones,

especially mages or ADCs, champions like Karthus, Ezreal or even Yasuo can't do much to you.

As for counters, no one can now see you in the new W but champions like lee sin, swain

and rumble can still hit you while in there, and they can be really hard to play against.

Lee Sin can't see anything anyway. and she's easy played against squishy champions that

you can keep jumping on and assassinating them really fast, like Karthus, Ezreal or

Yasuo.

Now, some gameplay, and I want to start by showing you that pentakill from my first ranked

game this preseason.

First let's talk about combos. so like I said, early in the game you should try and land

2 Qs one after another, and now you can get closer to the target with the W, so throw

a Q, wait for it to come back, go next to the target with W, explode it with an auto

attack, land another Q and explode it again if you can, this way you use both your passives

and 2 Qs and the revolver as well if you have it, plus electrocute. Later on if you are

in range for a Q, throw it and charge the enemy with your ultimate, and keep repeating

that, if you are in trouble go away with W, wait for Q to come back and repeat, if you

almost killed the target but are dying, keep attacking, you will heal, especially after

you have the gunblade done, and you can even save yourself by getting a kill thanks to

the triumph rune. In late game you can go all in on squishy targets, throw a Q at the

same time you use the gunblade and an ultimate, and they might even die from just that after

you get to them with the ultimate, explode the Q and electrocute procs as well, if not,

throw another Q and repeat, and use Es in between.

Remember that you can escape over walls with the W, or you can place a ward if close to

a living jungle camp and jump to them with your ultimate, and if you are near a minion

wave in late game spam them with E and use your passive for some nice healing from your

gunblade.

On lane, you should be carefull untill level 6 against most champions, but you can try

and harras the enemy with the double Q combo I've told you before, and if they are squishy

enough you may even kill them or you can wait for ganks and help your jungler. If you play

against a squishy champion you can take it down before level 6 with plenty of right landed

Qs and dodging their abilities with your W, and stay longer in the lane by healing yourself

from the passive, but if it's someone that dominates you, stay back and wait for a gank

or level 6, when you get your power spike. That applies for top lane as well usually.

As for farming, on lane if you are in trouble you can last hit with Q from a distance if

the enemy won't let you close to the farm, but you can also heal yourself with the first

auto attack from the passive, or stay hidden and farm from your W, and if there are many

minions nearby, use your E since it will have a small cooldown if you can kill something

with it as well and you will also heal nice if you have your gunblade ready. But winning

in lane seems a lot better this season, everyone is a bit squishier and the new runes help

you kill faster.

Like I always say, roaming is very important for Akali and many champions. You need to

help your team, it's not enough to only win your lane if you don't help the others at

all. Go top and bot and help them and help yourself as well by increasing the win chances

and by killing a few enemy champions, it's very easy to gank with Akali because of her

W and ultimate. So if you see an opportunity go for it, it's easy to catch enemies by dashing

with your W and ultimate from minion to minion to champion, help your team and yourself whenever

you can see a good oppening for a roam, even if you are losing your lane, you can go and

get fed on the others or at least get some assists or burn a few flashes.

And for late game and team fights, try not to go in first, wait for a tank or someone

else to engage, and always focus the squishy ones first, go and insta-kill the ADC and

then the mid-laner, you can jump from a front liner to the ADC or use your flash and W to

go behind them, take him out and if you are in trouble use Zhonyas and get away with another

ult. Try to remain alive by dealing damage to heal yourself, or if you are in trouble

just land a W and wait for an oppening or for an escape, since no one can see you in

it now, but they can still hit you with AOE. You can do many nice combos in late game,

and remember to always use your hextech gunblade, it has a nice active. If you find a lonelty

enemy champion, especially if it's the ADC or mid-laner, jump on it while throwing a

Q and using the gunblade at the same time, and you should be able to take it down fast

with the help of the bonus dmg from the passive and the electrocute proc. If you want to escape

you can jump from a minion to another and even further with the W, or jump over walls,

and don't forget to use your items as well! Keep attacking if there is no way out, since

the healing could save you.

And that's it for this one as well, let me know if it was helpful, leave a like and subscribe

if you are new here, and let me know who you want to see in the next guide, and if you

have any suggestions for improving the format, let me know, and I will see you soon, bye

bye!

For more infomation >> ULTIMATE AKALI GUIDE SEASON 8 2018 - League of Legends - Duration: 11:39.

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Lần đầu làm TOUR GUIDE - VIỆT KIỀU NGỠ NGÀNG HƠN 30 NĂM VỀ THĂM QUÊ HƯƠNG ĂN TẾT I cuộc sống sài gòn - Duration: 41:17.

For more infomation >> Lần đầu làm TOUR GUIDE - VIỆT KIỀU NGỠ NGÀNG HƠN 30 NĂM VỀ THĂM QUÊ HƯƠNG ĂN TẾT I cuộc sống sài gòn - Duration: 41:17.

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SPAWN GUIDE for OCCUPATION the New Resistance Map CoD WW2 - Duration: 16:21.

welcome to JGOD gaming in today's video I'll be focusing on a spawn guide

for the new map occupation in the Call of Duty World War 2 this is part of the

first DLC one resistance pack so what we'll do is break down some of

the different spawns so the ones I'm going to go over our team deathmatch

domination hardpoint and capture the flag

the reason I'm be going over these specific ones is because there's another

mode that mirrors one of these or else I would have just gone through and done

all the modes so for team deathmatch obviously kill confirms for gridiron

we've got capture the flag so it's kind of a balance there dominations is own

thing as well as hardpoint so let's go ahead and get into it

so in the background what imma be talking about is a little bit of you

know playing the actual map so for this one I chose TDM to start off with and as

you can see the spawns in the top right corner in red are where the enemy team

and yourself will spawn so based off where you're spawning where you're

positioned where your teammates are spawning where your teammates are

positioned you're gonna have a good idea and predict where the enemy team's gonna

be obviously certain spawns are a little bit more sticky and have a majority

chance to spawn so right here you can see they're still coming out of the

corner still a little bit of respawn delay it looks like and then you can see

them on my mini-map there's three little blips that pop up so they still all

spawn in this corner just a heads-up if you're interested in a particular mode

and maybe you don't play team deathmatch at all you want to check out one of the

other modes i'ma leave timestamps down in description below as well as the

images so you can click on those save those to your phone desktop whatever you

want to do so that you have access to those so go ahead and check that out in

the description below if you're interested in skipping ahead or you just

want to go ahead and check those out as far as for this map goes obviously it's

a remake of a map we've experienced before and it does look and play a

little bit different but the familiar already did help me when I was playing

online just because I was able to play it as if I knew it because I had a

familiarity with it so you can see right there they all spawned in that little

corner on the bottom right of the map so the spawns they this is how they work

you can cut off a lot of different people you can predict where people are

gonna be especially for some of the other modes as you'll see

pretty shortly that when you actually play you can actually cut people off

from actually coming to the objective at all if you just position to three people

in the right spot you can actually do you know some pretty good work and

cutting people off and almost guarantee a victory especially on some of the hard

points it does cut you off a little bit so right now I'm just kind of

maneuvering through the map I know where they're at I know where they're spawning

problem they don't move too fast cuz they're BOTS but at the end of the day

you know real people online they will be coming out of these areas as well the

reason I do with bots in case you're wondering what the heck is this guy

doing playing against bots it's more for a proof of concept that what you're

looking at on screen matches the spawns and then also to show you that what I'm

actually putting out is something that I've tested I put together and I was

able to identify these areas of spawn locations so when you move around the

map it's something you got to keep in mind obviously the interior the map they

can approach you from any angle but if you're coming out around the outskirts

you can have a better idea of where they're gonna be spawning from and then

have an idea when the spawns of cliff also if you're in their spawn if they're

gonna be spawning on sides of you or behind you or wherever the cases because

sometimes the spawns are a little sticky and they don't always flip so just keep

that in mind as you navigate through the map that you should be able to have a

good idea of where all these people are I usually like to do this when new maps

come out or when the new game comes out I'll go into the private matches or

custom game set up with bots so I get a familiarity of where you know movement

patterns are the spawns where I spawn how to push certain angles and just

doing that overall gives you a comfort with the map that maybe you didn't have

just by jumping in and getting maybe smacked around by someone who's already

played at ten fifty or even a hundred times so a lot of times familiarity with

the maps is huge where to move through where to navigate through is huge

especially in objective game mode so as you can see I'm coming up this stairs

area here and they're all popping up in this corner you can see where my red is

popping up on the mini-map so take this guy out and they continue to flood out

of this corner just because that's kind of the way it's designed now that you

see them in that other corner where the other hotspot is for the red zone so

pretty much as long as you can move from point two hot point as far as red zone

to red zone you should be have a good idea of where everyone is on the map

especially if you coordinate that with where your team is so we'll go ahead and

move on to domination now while that's loading up now is a good time to point

out that it's a good time if you're enjoying the video go ahead and click

that like button subscribe if you haven't already and make sure you ring

that Bell so you have the notifications on and you're up to date with the newest

content that I'm putting out again the light goals 75 so hopefully can help me

out with that if you're enjoying the video let's get down to what the map

looks like so as you can see the map is slightly different you can see where

Zone a B and C are and some of the spawns have shifted just a little bit

we're missing some of those left spawns that we had originally in team

deathmatch so for this one is very similar the way you move around the map

but obviously I'm playing solo with some bots again still so what you want to do

is make sure that you have a good idea of where the spawns are which these ones

like I said it doesn't move too much but it's got a hard time holding down the

area if the team doesn't actually pursue the different areas the main objective

you want to hold down here is B just because you got a good sight line from B

into the spawning areas that you can actually hold it down either off of this

little crate here or your teammate could be a little bit further up without

pushing the spawns and catch people coming out of that spawn to protect B as

long as you have a and C or a and B or C and B a combination of the two you

should be able to win this objective pretty good because if you do the a and

C then the enemy team will actually pop out by the bottom right corner where B

is so you can go ahead and control the spawns if your team is coordinated

enough to go ahead and lock down certain areas so pretty much that's all I'm

doing is I'm rotating back and forth because they lost a so I'm just kind of

coming back to it clearing off the areas it's a little bit slower and Dom because

I don't have that recon plane up constantly but as you'll see they're

pretty predictable spawns are all coming from that top area the enemy teams

trying to take over B so I'm just rotating back because none of the team

is on this side but normal normal match you probably have at least one person on

your team contesting B almost all the time just because it's right here out in

the open getting kills and kind of feeding on

this of the map so every time I'm getting

that recon plane I'm continually looking at the overview of the mini-map just

because it shows a lot of information as you can see right here try to run

through mid coming from off of spawn right now I'm pretty much right on the

outside of their spawn so I know they're gonna come out either through this area

where I'm pushing or to the left of me down this little Street area so pretty

much I'm just kind of holding down the areas because I don't want the spawns to

flip usually when you're playing domination you don't really want the

spawns to flip you want to usually hold two of the objectives and then keep all

your enemy team just pinned and aside a specific spawn because if they're only

coming out of a specific spawn your enemy team becomes very very predictable

and you have a good control of the map so that's just a general tip for

domination but as you see this one the spawns kind of flipped a little bit or

we lost control continually because the the computer teammates just kept losing

a or losing C so kind of rotate it back and forth and pretty much just

continually played the match so right here I'm going back and trying to go

ahead and go flank to get B because it looks like all the enemy is facing that

side so you're going to take them out if someone sits inside that room right down

this Lane they can actually have that perfect vantage point probably for a

sniper as soon as someone peeks take them out so this is a huge lane that you

can probably use for sniping or a really good automatic rifle or just rifle in

general if you if you feel comfortable with the semi-autos or my favorite LMG

the lowest light machine gun which is pretty awesome at that vantage point as

well so you can see how the spawns can be used effectively to manage where your

enemies are coming from control manipulate have the map control so just

about positioning again it's always positioning on all the different Maps so

right here I know they're gonna go ahead and try and flip the spawn so I'm gonna

push it anyways just because my teammates are losing a over there by

themselves so I go ahead and push to take over see I know where they're gonna

be coming from they're probably gonna be coming from this right side or the left

so I just got to pay attention since I don't have that recon up right away so I

just gotta kind of watch and wait and it looks like I was able to take it over

looks like some of the enemy team is over there by B so I'm gonna kind of

pushed B in that direction so pretty much you got to do with the

maps telling you every map slightly different because who you're playing

with sometimes they're slower players

sometimes they're campy ER sometimes they're fast paced players

sometimes they're using shotguns sniper sometimes they're running like a chicken

with their head cut off sometimes your teammates are going for

kilos sometimes your enemies are going for kills I don't want the objective at

all so just keep that in mind that not everything is super cookie cutter but

this does give you a good idea of where enemies are where you're at where you

should be going what space you need to be positioned right now we're triple cap

so the spawns are probably gonna be a little bit funky but as you can see I

got a good idea where they're coming from I know they're all coming from this

corner building I just got to kind of wait it out get a better position than

the enemy team that's usually the name of the game patience and positioning

especially on boots on the ground you can't just out reflex your enemy so

you do have to put yourself in the best position or you can get really swept

really quick especially if you end up to be won a lot of times you're gonna lose

that gunfight unless you are able to flank them catch one off-guard so just

keep that in mind you gotta navigate the map smartly and execute effectively for

Damai only one has demonstrate one round just to show kind of how that works

again proof of concept with the bots just demonstrate that the spawn guide is

accurate and effective for what you're looking to accomplish if you're watching

this video I know I'm repeating myself a little bit but this is for the people

that maybe skip the head to the hardpoint I'm go ahead and remember to

drop that like again the goal is 75 likes if you haven't subscribed yet go

ahead and make sure you click that subscribe button turn on that bell have

the notifications on so you stay up-to-date on future videos and future

content so when it comes to hardpoint the spawns are usually pretty different

than the rest of all the spawns in the different modes just because the

hardpoint rotates and because of that there has to be different spawn points

to accommodate two teams having an equal distance to travel to get to that hard

point so for the most part it's usually pretty equal in some cases there's

usually an advantage where you're gonna be have to walk a little bit farther

than your enemy team so let's go ahead and check those out so when looking at

the hardpoint map you can see that I have both the rotations and the spawns

on there the spawns are a little bit different than the past two maps that we

looked at as far as domination and Team Deathmatch but that's just because the

way the hill rotate so you can see it starts in mid

bumps down to the bottom of the map then goes back up the top and then it goes

kind of four and then five where you can see that's towards the middle and then

towards the right the key with holding down four is

actually making sure you got bottom spawns because after that heel it's

gonna rotate to five now look at how far the spawns are from five pretty much

you're kind of screwed if you're spawning there same thing with three if

you get the spawns you need the spawns for hardpoint three because look at how

far you gotta walk if you don't get hardpoint three look at the spawn so

look at they're all the Wigan and the V to the right or the all the way at the

bottom look at the distance you have to travel so this one's very spawn

dependent same thing with two look at where your enemies are gonna come from

they're gonna come from over by hardpoint five that's a little bit of a

walk but look at if they come all the way by hardpoint three gets kind of

crazy so just something to keep in mind the spawns are key and hard point and

especially on this map so you can see in the background this first Hill is

already done with so I'm trying to rotate to the second Hill just so that

we can make sure we get those spawns feeling that the enemy team's gonna be

in this area so as I approach I have a good idea where they coming from they're

frightened I come from the stairs behind me but then again they are when this a

UAV comes out the recon plane so I turn on that guy take them both out now my

teammates are in position and you can see now look at where how far they're

walking from like what I said they're fun gonna have five and they're spawning

by three so that's what's so key is that you you know you're gonna put your team

at a huge disadvantage if you're not getting these spawns early because most

people that play hard point have no clue what rotating early means they're gonna

fight for a five-second he'll never fight for her five-second hail unless

it's for the win so keep in mind that when you're rotating that you need to

rotate early as long as someone is in the hill there should be at least one

person in the hill leave that as garbage time give that to them get your team in

better position so they're gonna actually take over the next hard point

so you can see here now I'm trying to rotate across the map and love the way

cut these people off so I'm going to push this way I know they're gonna be

spawning in this corner so they already have this Hill advantage they should be

jumping in there pretty soon so as I come around here you can see the little

red dots are popping up a little bit closer to me then they

on the other side of the map I just get repositioned take a couple guys out and

then secure the hill after I mean here for a little bit take out a different

enemies then the hill decides to flip as far as spawns so that now my team has

control of the spawns as long as they move a little bit further down here

we'll we'll get those spawns and then we'll actually have the entire hill time

so as I go ahead and take a look at that overview since I got the Recon out you

can see where they're coming from they're all coming from the opposite

side of the map where those spawns are on the bottom so they got a long walk

and they don't even got a good vantage point when they come out there they're

pretty much there for the picking as you can see I picked one off picked the

other one off and they're still coming from that side down the stairs it's a

longer route to go around the other side but you know it is what it is you gotta

come out wherever the best cover is but right here you can see that it's not

good so they're already gonna have the next hill

so we're gonna start rotating and I'm pushing through mid because I want to

get that hill I got to go through here to get there so you can see that they're

all set up over here on this hill because none of our team rotated

obviously I'm playing with bots they don't they don't know any better but all

the enemy team they definitely shut down that hard point pretty quick so we go

ahead and clear it out and then keep in mind again that when I said when you get

this hill you need to make sure you get the spawns on the bottom of the map so

right now it looks like we have those spawns as long as our team doesn't push

forward we should maintain those but it looks like that guy on the red might

know but he's actually still moving towards his own spawn so now we kind of

got him locked in this way as a hardpoint rotate to the fifth and final

rotation as far as time rotation goes you're gonna see that we're gonna have

those immediately we're gonna have it locked down and they're still gonna be

spawning pretty far so we'll just wait out this nine seconds go ahead and move

over to the next hill because I want to make sure I guarantee myself D spawn so

I go ahead and sit up in here and that's pretty much ends up being in the match

we camp out this one there's only one more hard point to go to number one and

then we have enough time to close out because 55 seconds takes up to up to

about 225 and that's kind of where it sits

hopefully enjoyed the video I would appreciate that like rating if you did

appreciate it you're still here sorry for a little bit of the length I just

thought this is probably the better way to cover it I didn't really like the

first way I did it when I did the other one thing I will throw off on screen in

case you are interested is the capture the flag spawns

and just a heads up with capture the flag spawns like always they're pretty

rigid but you can see there's a lot of places to spawn so I don't think this

was a really high potential spawn trap unless it's a super coordinated team but

you can see where they're at on the screen which they will be down in the

description again as well so if you'd like a copy of any of these or links to

the time stamps in case you want to reference these again make sure you

check down in the description below drop that like rating go ahead and

subscribe if you haven't already ring the bell make sure you got the

notifications on stay up to date follow me on Twitter so that's the probably the

best way to keep in contact with me sometimes YouTube's a little funky with

their comments thank you for watching as always

have a great day

For more infomation >> SPAWN GUIDE for OCCUPATION the New Resistance Map CoD WW2 - Duration: 16:21.

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[Destiny6 Indonesia]Semua Mekanisme Dasar|All Basic Mechanism[FAQ][Guide][English Subs] - Duration: 6:17.

Hey guys, back with Ditya here and in this video i will talk about all the basic mechanism on Destiny6

Yes all of them

I hope this would benefit new players and even experienced players with even further progression

but missed a few things here and there

In Destiny6 a team consist of 4 heroes, with 3 different roles

Leader, member, and striker

Leader is at the top in the formation, while member placed on the left and right side

Also striker at the bottom

Every Heroes in Destiny6 have what is called leader skill

There are a total of 2 leader skill that can be activated at once by placing heroes on leader

And striker slot

Still related with the previous subject, every heroes have 4 skill

2 active skills, 1 leader skill, and 1 strike skill

Strike skill usually is an upgraded version of one of the active skills

Strike point is a mechanism where at certain amount of point

You can use a hero's striker skill

The lower the strike point, the faster you can use the skill

Depends on the significance of the skill's effect, strike point can be vary

From 4000 to 7000, or even more

Aside from the skill's effect, a hero considered good placed in the striker slot

According to how much its strike points

Heroes with high strike points tend to have a skill that when is used

Could change the tide of battle

Everytime you finish a dungeon, there are stars you can get

Getting 3 stars giving you a significant decrease in the dungeon's difficulty

So you can farm easier

There are 4 daily dungeons in Destiny6

Hero, Titan, Enhance, and Giant

Hero gives Hero Fragments that you could use to summon the corresponding hero

You can only do each Heroes' Dungeon once in a day

Titan drops awakening material and enhance ragoon gives xp toon

You can do both of these dungeons 5 times per day

Giant gives crest that can be used to increase heroes' stats

This dungeon can be done 3 times per day

Ragoon is a type of unusable heroes since they serve a different purpose

Enhance Ragoon is used to increase a hero's experience

Generally, using an Enhance Ragoon which has the same stars

As the hero enhanced

Straightly maxed its level

Evolve ragoon used to substitute hero evolving material

Its more efficient and beneficial to used an evolve ragoon

Instead of hero to evolve a hero

Since you might've need the hero later

Skill Ragoon used to substitute skill upgrade material

Usually used on a Nat 5* since it's harder to get a duplicate

And it's not recommended to use their twins since you also might've need them later

Evolving is increasing stars on a hero after maxing its level

You can sacrifice a certain amount of heroes according to how many stars the evolving hero

At that moment

For example, a 5* hero need 5 5* heroes to evolve to 6*

Awakening is increasing a heroes stats using crystal you got from Titan

There are total of 6 stages of awakening

What is increased on each stage is different on each heroes

But in general, stage 2 opens crests' slots 1-2

Stage 3 change your hero's appearence

Stage 5 opens crests' slots 3-4

And stage 6 will always gives increase on all stats

D.O.T, DOT or Damage Over time is a debuff that a hero in Destiny6 can produce

These debuffs periodically damaged the opponent

There are 3 DOT debuffs that exist in Destiny6

Burn, Poison and Bleed

Burn and Poison depend on the hero's attack, what makes both of them different, is that

Poison lowers opponent's resistance to debuff

Bleed different from the previously mentioned, gives damage according to opponent's HP

The bigger the HP, the bigger the damage will be

For all the other debuffs, you can check the help section in game

And please do write away in comment section if you still experiencing difficulties

Orb and Crest are the equipments for your heroes, both of them at this point of the game

Can reach as high as 4*.

You obtain orbs from adventure stage and crests from Giants

The higher the difficulty of the stage

The higher the chance to get a better orb and crest

Orbs give addition to main stats while Crests give the other supporting stat

As you can see in this video

Tower of Promise main purpose, is a gold farming dungeon

But the first time you clear a floor

You can get a bonus reward

They varies on each floor, and get better the higher you can climb

There are totals of 60 floors in Tower of Promise

It resets once every month so player can earn the bonus reward all over again

I think these are all that I can share to you at the moment

About the Basic Mechanism of Destiny6

If there are suggestions, please write them on the comment section

In case I miss few things, I appreciated if you guys willing to write them down on the comment section too.

For more infomation >> [Destiny6 Indonesia]Semua Mekanisme Dasar|All Basic Mechanism[FAQ][Guide][English Subs] - Duration: 6:17.

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WMB Guide To Biking, Episode 1 - Check Before You Ride - Duration: 2:47.

For more infomation >> WMB Guide To Biking, Episode 1 - Check Before You Ride - Duration: 2:47.

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The Official Teenage Guide to Making Cookies! | Hashtag Zoe - Duration: 5:33.

hey guys it's hashtag zoe! welcome back to my channel. so for today's video I'm gonna be

teaching you how to make chocolate chip cookies. so I don't consider myself a

professional Baker in fact I never baked the only thing I bake is my undereyes

when I'm doing my makeup so anyway so today I'm gonna be making my famous

chocolate chip cookies and by famous I mean the one that has directions and

ingredients listed on the back of a chocolate chip bag so let's get started

first ingredients I'm gonna go grab the ingredients okay guys the ingredients

you're gonna need to make these cookies are a huge bag of chocolate chips

preferably semi-sweet because you don't want the sweetness of the chocolate to

outweigh the sweetness that the cookie as a whole sugar because I can't be the

only sweet thing in this video brown sugar because equality baking soda

because obviously you need to bake soda I don't really know why I need baking

soda but it's an every recipe so vanilla this stuff tastes really bad but it

smells really good I don't understand okay now I'm getting more ingredients I

got butter because you want your cookies to taste butter than normal and of

course last but not least you need my siblings so the first step is to

pre-heat your oven or in this case my oven to 375 degrees

so the first ingredient is the butter so I'm just gonna put my butter in the bowl

and this is a very soft butter because soft butter is better better next

ingredient is sugar and by the way guys I'm not telling you each measurement of

each ingredient because if you want the recipe it's down below baking with Zoe

next ingredient brown sugar next I'm gonna take some vanilla extract and this

stuff smells like heaven so the next step is just mixing these ingredients

together until it's like a nice consistency and then we're gonna move on

and add the rest of the ingredients okay so the next step is my sibling so I'm

just gonna go ahead and add in two eggs

Wow that was exhilarating oh so take out the shells guys okay so

in this boy you're gonna need baking soda flour and salt okay guys so I just

added the baking soda and now we're gonna need one teaspoon of salt

as well so let me get the salt salt okay next is flour so guys we have a problem

I don't have any flour this is literally I don't know how I missed flour like I

had all the other ingredients but flour how do you make cookies without flour

you know what never give up okay I'm still gonna make these cookies I'm just

gonna run to Target really quick you guys can come with we're gonna go to

Target get the flour come back finish these cookies and they're gonna be

awesome you know why because we never give up and we got this so let's go to

Target and get some flour let's go

okay guys so as you know I just went to Target to get flour and I ended up

getting this this is a chocolate chip cookie dough I know I was making cookie

dough myself but I kind of figured you know should I really work so hard to

make cookie dough or should I just buy it already made um I feel like you know

probably it's probably just easier to just use this really cute knife I

figured it might be easier to just um you know eat this instead also I forgot

to buy flour too but I'm gonna do so good you guys mom stop I'm cookies okay

guys so thanks for watching this video if you want the real recipe of chocolate

chip cookies I was making at the beginning of this video it is actually

down below so if you want to go for it and make those let me know tweet me

pictures of you making the cookies but um I feel like just personally you know

this is probably a better idea cuz you know I would have probably messed up the

cookies anyway so I'm just gonna go umm thanks for watching love you guys bye

For more infomation >> The Official Teenage Guide to Making Cookies! | Hashtag Zoe - Duration: 5:33.

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Free Walks in Milford Sound – New Zealand's Biggest Gap Year – Backpacker Guide New Zealand - Duration: 6:27.

For more infomation >> Free Walks in Milford Sound – New Zealand's Biggest Gap Year – Backpacker Guide New Zealand - Duration: 6:27.

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Guide Kong presents the best pho! (the item on the menu) [Battle Trip/2017.01.28] - Duration: 6:49.

This is quite fun.

Cyclos...

You must haggle.

How much?

20,000 VND.

One? One?

Hey, Hyunjoo.

Just ride this even if it's expensive. Save elsewhere.

- Just get on. / - Ma'am.

It's only $1.

- Really? / - Yes.

It's only $1.

- Really? / - Yes.

Is that okay?

Wow, get on already.

Okay.

- Okay. / - Yes, okay.

The good thing about Vietnam...

About Nha Trang is that

you can enjoy so much with so little.

It's the best.

Goodness.

When you calculate the exchange rates...

Remove a zero and divide by half.

I went to Vietnam as well

and I was told to haggle.

But it's only like 20, 30 cents.

- So you just end up paying. / - I know.

- Let's go. / - Go.

Okay.

I wish we could ride around all day in this cyclo.

This is so nice. It's cool.

The pho place we're going to is really famous

so all the drivers know where it is.

- Really? / - Yes.

The place we're going to is extremely famous.

- Is this it? / - Yes.

Here.

This place...

Is a hidden pho eatery.

(The deep aroma and flavor of beef pho)

It's so good.

Vietnamese pho is the best.

It's refreshing.

The broth is extremely refreshing.

At this place...

The menu is just like that.

Large or small.

- Not much to choose? / - They only have one menu.

That's usually the case with famous places.

Hey...

- The large one is 50,000 VND. / - Yes, 50,000.

The small one is 45,000 VND.

To calculate into dollars...

Remove a zero.

- Then divide by two, right? / - Yes.

- That means... / - You divide by half.

Is that $2.50 then?

- The large one is $2.50. / - 25 cents?

- $2.25, $2.50. / - That's right.

It's extremely cheap.

Isn't it better to eat the large then?

- It's only $2.50? / - Yes.

The two of us can eat our fill for $4.50.

That's two bowls of pho.

Okay, pho.

I like pho.

- Let's eat it. / - Okay.

Lots of coriander for you?

You can ask for it if you can say it in Vietnamese.

- Just a little coriander for me. / - Okay then.

- What I'll do is... / - You ask for a lot.

Ta-da. I've prepared this.

Ta-da. I've prepared this.

If you prepare pictures in advance,

it's easy to communicate.

No.

Are you saying hello?

No, that is...

- Hello, coriander. / - She understood.

- She understood. / - She understood.

- Lots for me. / - No.

A lot.

Okay?

It's so convenient to have this.

- You brought that for me, right? / - Yes.

Wow, looks delicious.

Oh, that looks so good.

It was so good.

- Try it. / - The visuals...

It's so well presented and looks delicious.

You're right.

(Ah)

- How is it? / - It's so good.

- Really? / - It's so good.

Seriously...

- I just want one spoonful of the broth. / - No...

- You need the hot sauce. / - You need it.

What is it?

- Lime? / - The chili peppers.

Squeeze in some lime and add plenty of peppers.

I'm drooling again.

That looks so good.

It really makes you salivate.

It's really like...

The pho you have at the place of origin.

It tastes lighter than the pho in Korea.

Yes, it's clean.

Right, it tastes clean. It's not greasy.

It tastes lighter.

(What is this?)

Is this the thing we add in?

The spicy thing?

- For me... / - Just add it all!

- For me... / - Just add it all!

Just add everything.

That's really spicy.

- Add it all. / - You like spicy food, right?

Yeah, I like spicy food.

I didn't add any coriander...

(Did it succeed in captivating her taste bud?)

It's not overbearing.

It's so good.

It's kind of like rib soup in Korea.

I'd like mine to be spicier.

You're adding more?

She wants it spicier.

It wasn't that spicy. It was really good.

It was so good.

If you really like spicy food...

I'm starting to sweat here.

Ma'am, the broth...

It's starting to look like instant noodle broth.

Is it good?

Isn't that too spicy?

Isn't there more sauce than broth now?

I'd like to ask for more broth.

That looks good.

- You'd drool watching that... / - It was really good.

The viewers must be cooking instant noodles now.

Isn't it spicy?

- I like it. / - You like it?

In my throat...

- With this... / - Milk!

Milk!

It's spicy.

It is spicy for her.

Milk!

Milk!

It's too spicy!

So spicy.

Don't my eyes look weird because it's too spicy?

She's really daring with food too.

It's a charming kind of spiciness.

It felt like she was eating a punishment meal.

- She really likes pungent foods. / - She likes it strong.

It's too spicy.

How will you eat this?

But it's nice that I'm sweating. It's refreshing.

This is the first restaurant you've taken me to...

- After we arrived in Nha Trang. / - Yes.

Do you like it?

I do like it

and it's having a huge impact.

- Really? / - Yes.

- From now... / - The spiciness.

You're the one who made it spicy.

We're going to a hot spring later.

- Okay. / - So eat up.

Then we shouldn't eat too much.

- Since we're going into hot water. / - Yes.

She's sweating before she reaches the hot spring.

For more infomation >> Guide Kong presents the best pho! (the item on the menu) [Battle Trip/2017.01.28] - Duration: 6:49.

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War Robots — Hangar Deck X Guide - Duration: 1:18.

Hangar deck X is now available in Custom Games.

Any robots or weapons can appear on this deck — even those not yet in the shop.

This lets you try out any weapon or robot on the battlefield!

This deck is the same for all pilots.

Want to compete with your friends on an equal footing and show them what you've got?

Want to battle with a rival from another clan?

Letting a rookie into your clan and want to test them in action?

Now you don't need to customize a separate hangar deck to do this.

Just choose Hangar X and you're ready to go!

You can't change the hangar load yourself, but it will change regularly.

Follow War Robots news and vote on the content of the next hangar. The most popular selection will be the next one!

What setups would you like to try? Tell us in the comments below!

Subscribe to stay in the know about the latest updates. See you on the battlefield!

For more infomation >> War Robots — Hangar Deck X Guide - Duration: 1:18.

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Guide - Duration: 0:59.

For more infomation >> Guide - Duration: 0:59.

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War of Rights - Bloody Lane Battlefield Guide - Duration: 6:33.

Howdy and welcome to my new series for War of rights, a guide on how to play the different

battlefield maps that are currently in War of Rights' Technical Alpha version.

Before we get into the guide, this is a disclaimer, everything in this video besides the units

are suggestions, this is what I believe to be the best way to play the map for either

attacker or defender.

You are welcome to disagree with me and are welcome to put your own suggestions down in

the comments.

For percentage chance of spawning a rifle, I took each unit and spawn 5 times each and

wrote down the number of times they spawn with a certain rifle.

Now that we covered that, lets get into the guide.

This video is examining the Bloody Lane map.

This map is based off of the second area of engagement at the Battle of Antietam where

the confederates defended a lane that was sunken due to constant use by the surrounding

farmers.

It was an ideal position for the confederates to fortify themselves for the upcoming assaults

that would be made by the Federals.

It took the Federals three massive assaults to break the confederates at the bloody lane

after they were able to flank and shoot down the line.

Before we get into tactics, lets look at the units.

For the Union attackers, they will be able to pick between the 8th Ohio and the 69th

New York.

The 8th Ohio has an 80% chance of spawning a M1861 Springfield rifle and a 20% chance

of spawning an M1842 Springfield rifle, this rifle also includes buck and ball, an ammunition

type that is useful against clustered groups of enemies.

The 69th New York has a near 100% chance of spawning with a M1842 Springfield Rifle.

Use caution when fighting around confederates and union soldiers since the 8th Ohio sometimes

spawn with white shirts which can get confused for Confederate soldiers.

For the Confederate defenders, they will be able to pick between the 6th Alabama and the

12th South Carolina.

The 6th Alabama has a 60% chance of spawning a M1855 Springfield Rifle and a 40% chance

of spawning a M1853 Enfield rifle.

The 12th South Carolina has a 60% chance of spawning with a M1861 Springfield Rifle and

a 40% chance of spawning a M1853 Enfield Rifle.

Use caution when fighting around confederate and union soldiers since the 12th South Carolina

wears a uniform very similar to Union soldiers

Now for the attacking tactics and tips.

Since the Union is on the attacking side, they must either make the confederates rout

or take the capture point.

The main strategy for the union is to first, use your higher morale count to your advantage,

hit the confederates hard and make them bleed morale but this is also a double edged sword,

you must stay in some sort of formation or you will suffer the most morale penalties

when dying out of formation or in skirmishing, so try to stay in formation whenever possible.

Second, take control of the woods on your left flank, this area is vital to having safe

passage to the confederate's right flank or center.

Third, use the fences as cover, the first fence can be used as a staging point for union

soldiers who want to get dirty in melee or to defend the capture from reinforcing confederates.

Fourth, use the middle hill as either a sharpshooter nest or a screen to flank far right.

Fifth, if you would like to try something dangerous but possibly rewarding, flanking

far right can be usable in turning the confederate left flank but you will be in the line of

fire and can result in massive casualties if spotted.

Sixth, use buck and ball whenever you are close to enemy players, this ammunition is

deadly when close and can destroy lines.

Lastly, work as a team, war of rights is not made for single players, if you would like

to win, work with your allies.

Now for the defending tactics and tips.

Since the Confederates are on the defending side, they must either make the Federals rout

or defend the capture point.

The main strategy for the Confederates is to first, use your superior weapons to whittle

down attacking Federals.

Second, stay in some sort of formation, since the confederates have a lower morale count

than the federals, dying in either in formation or skirmishing can help reduce the morale

penalties.

Third, use the fences to maximize your formation and as cover from incoming bullets and federals.

If the first fence is overrun, fall back to the second fence or also called the corn fence.

Use the corn as a form of concealment for troop movements along the front.

Forth, putting skirmishers on the far right to cover the woods and the plowed field will

help in easing the pressure on the center or far left.

These skirmishers will be able to delay any advances on your right flank and can possibly

stop an advance on your right flank if coupled with troops placed on the far right fence,

an often neglected position.

Some of these skirmishers can advance and use the woods as a place to watch federal

movements without being spotted.

In addition, the woods Skirmishers can be redeployed along the far right flank to deliver

more effective volleys.

This is risky however and can only be done if a force is spotted early on and time is

allowed for the skirmishers to redeploy to the fence.

This will most likely only delay a major advance though.

Also, posting a few people on your left flank will help in stopping rambos or reporting

assaults by the main federal group.

For both the left and right flank, while not necessary, putting some men on the fence in

the corn can help retaliate Federals about to break through the line and tie them up

long enough for a retaliation force to be properly put together and begin their advance.

Fifth, the center will be the main point of contention since the capture point Is located

there.

Having a strong core will help in preventing massive federal assaults in breaking through

to the capture point and splitting your line in two.

Sixth, don't go into a melee where you're at a disadvantage, always fight with somebody

so you can always prevail against a lone opponent.

If the Federals do manage to break through your line, focus troops on quickly repelling

them.

The longer the flank is controlled by the enemy, the harder it will be to drive them

out.

Lastly, work as a team, war of rights is not made for single players, if you would like

to win, work with your allies.

That is it for the Bloody lane Battle guide for war of rights, I will have another one

of these guides in the future, thanks for watching and Ill see you on the battlefield!

For more infomation >> War of Rights - Bloody Lane Battlefield Guide - Duration: 6:33.

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Top 3 WordPress SEO Plugins 2018. Search Engine Optimization Best Plugin Guide - Duration: 8:32.

Top 3 WordPress SEO Plugins 2018

For more infomation >> Top 3 WordPress SEO Plugins 2018. Search Engine Optimization Best Plugin Guide - Duration: 8:32.

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Guide du chien – La perte de poil - Duration: 6:27.

For more infomation >> Guide du chien – La perte de poil - Duration: 6:27.

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"The Beginner's Guide to Excel" - Excel Basics 2017 Tutorial - Duration: 21:47.

Welcome to this Excel Basics Video Tutorial.

In this tutorial, I'll be showing you

most of the basics that you need to know

in order to get started using Microsoft Excel.

And the version of Excel that I'm going to be using

in this tutorial is Excel 2016 for Windows.

Having said that, if you're using a different version of Excel

maybe an older version or even a newer version,

or if you use Excel on a Mac

there will be some slight differences

but for the most part I would say 95% percent

of what I show in this tutorial

will be very applicable to you

and your usage of Excel.

So, I simply clicked the icon here

to get started using Excel

And Excel now would like me to make a choice.

It wants to know if I would like to open up an Excel template

Or simply open a blank workbook

You can see that there are lots of templates to choose from

This is a welcome to Excel tour and it's a good way to kind of learn some of the basics of Excel

But that's why you're watching my video

So I'm going to skip that one

There's a cash flow analysis, there's email insights

Stock symbols, there's a sales invoice, there's a budget in here

Here it is, a family budget.

There's all sorts of great Excel spreadsheets.

That you can just open up and start changing the data

Start using it that way.

So I would encourage you to browse and explore

these templates that are available to you.

In addition to the 30 or so templates that you have here

There is an option to search online templates

So I'm going to do a search for budget

And you can see it comes up with even more budgets.

You're not limited just to the one family budget

There's a whole bunch that you can choose from.

Over here on the right there's categories that you can sift through

And you can select the specific kind of budget or spreadsheet template

that you would like to use.

If you find one that you do want to use, you can just click on it

And click "create" and it will make a copy of that

as a spreadsheet that you can open and use in Excel.

So, please do spend some time exploring what's available

And in many cases, much of the work is already done for you.

You can simply use somebody else's template

And adjust it for what you need.

Now, templates are very useful. But having said that,

I think in order to really learn how to use Excel

fully and properly

It's best to start with a blank workbook.

So I'm just going to double-click on that

To select a blank workbook and open it up.

And the first thing we need to do

Is learn about the layout that we have in Excel 2016.

There's certain terms that you're going to need to know.

First of all, across the top we have some tabs.

We've got the Home tab, the Insert tab

Page layout and more, as you can see.

Each of these tabs is pretty important.

And when you click on a particular tab

It opens up a ribbon. This is the ribbon for the Home tab.

If I click the Page Layout tab, I get the Page Layout ribbon.

Now each ribbon is divided up into groups.

So you can see I have a Themes group, I have a Page Setup group

A scale-to-fit group, and these are all on the Page Layout ribbon.

And I get to that ribbon by clicking on the Page Layout Tab.

So, those are some important terms that you'll need to know.

Tab, ribbon, group.

And you'll notice in the corner of some of these groups

There's what I like to call a "launch" button.

So, the Scale-to-Fit Group has a little launch button in the corner.

The Sheet Options group has a launch button in the corner

The Arrange group doesn't seem to have one.

Now what are these launch buttons?

Basically, you can click on those launch buttons

to give you even more options.

So, what Microsoft has done here is,

They've tried to fit all the Page Layout options on this ribbon.

But of course, there's a limited amount of geography

There's a limited amount of space that they have to work with.

And so, sometimes they can fit everything in that little group

Sometimes they can't. And if they can't,

there's a launch button that you can click to get even more.

So, that's why some have a launch button and some don't.

Okay. I think it's important to start with that terminology

Because I'm going to be using it throughout this tutorial.

Allright.

A couple of other layout terms that you're gonna need to know.

In the spreadsheet itself--this is the spreadsheet

And spreadsheets are made up of columns and rows.

So you can we have an "A" column, a "B" column, "C" column, etc.

And if I browse to the right you can see

that there's even more than that.

And if needed, it'll just keep going to the right

Adding more and more columns.

Once it gets to "Z", it goes to "AA", column "AA".

And so lots and lots of columns in this spreadsheet

Now, what about rows?

I have row #1, row #2, row #3.

Okay, so spreadsheets are made up of columns and rows.

Now the intersection of a column and a row

is what produces a cell.

So this is a cell.

And every cell in Excel has a name.

This particular cell is named "C2".

And you can imagine how I got that name.

It's just the intersection of the column and the row.

This particular cell here has a name.

It's "M9".

And this is "I16."

Now, that may seem obvious and unimportant.

But it's actually very exciting and powerful

that every cell in Excel has a name.

Because it has a name, you can describe it.

And you can have Excel do certain things with the content in each cell.

We'll get to that a little bit later.

Now in addition to columns, rows and cells,

There's another part of a spreadsheet that you need to know about.

And that is a "Range."

Now, a range is a group of cells that are together.

A range could be this,

It could be this,

It could be this,

It could be any number of things.

It's basically a group of cells that are next to each other that are together.

And guess what? Ranges can also be named just like cells can.

So just like this is named "L7", I can also name this.

Now the way you name a range is you start in the upper left

And you name the cell in the upper left.

So this is "L7", and then you say the word "through"

So, "L7 through" and then you say the name of the cell in the lower right, "N12".

So "L7 though N12", that is the name of this range.

Now, in the back of your mind just tuck this piece of information.

The way you would write the name of this range

Is you would write, L7 through, the symbol for through is a colon ":"

Then you would put N12.

So that is how you would write the name of the range that you see here.

Okay, I'm going to tap ESC to get out of that

'cause I don't really want to type that in the cell.

So that was some background information that you're gonna need

In order to really use Excel properly.

Now that we've talked about the layout of the ribbon, the tabs, the groups and things

And also the spreadsheet itself

With the columns, the rows, the cells and the ranges

And actually, I should add a couple more.

You can see that this is all on a sheet, Sheet 1.

And I can add a Sheet 2, Sheet 3, etc.

Each of these sheets added together is what creates a Workbook.

So, sheets or worksheets add up to a workbook.

Okay, so now that we've got all that as a foundation for our Excel use

Let's now start actually creating and working on an Excel spreadsheet.

Now, to make this a little bit more interesting for you to look at

I'm going to zoom in a little bit

So I'm gonna use this slider in the lower right corner

And I'll just click and drag to zoom in on my spreadsheet.

So that should be a little bit easier for you to see.

And now I'm going to click on A1, and enter some data in this A1 cell.

And just as an example, let's say I want to use Excel to create an inventory of my movie collection.

Now, this could be anything.

If you're a teacher, maybe this is the supplies that you have

that you loan out to the students

Or, if you're a secretary at a school, let's say

you're in charge of keeping track of the supplies at the school.

Whatever it might be.

But let's say I want to do an inventory of the movies that I own.

First thing I wanna do is maybe put a little title in there.

So I'm gonna type in A1 and I'll type "Movie Inventory."

And, you'll notice that my text is bigger than the cell itself.

It goes too far to the right.

But you know what? Don't worry about that.

Just hit "Enter" or "Return" on the keyboard, and I've successfully entered

my first data into the spreadsheet.

For more infomation >> "The Beginner's Guide to Excel" - Excel Basics 2017 Tutorial - Duration: 21:47.

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A Guide To Balding Men's Hairstyles - Duration: 6:40.

A Guide To Balding Men's Hairstyles

It's unbelievable how difficult it is to find any decent information on the internet about balding men's hairstyles.

You'll know this yourself if you've ever tried to do a search on Google for 'balding men's hairstyles', 'hairstyles for balding men', 'balding hairstyles' or any other amount of variations on the theme.

This is surprising considering how many balding men there are who deserve a decent hairstyle as much as any one else….

So… faced with this injustice I've put together my own guide to balding men's hairstyles….

Hairstyles.

It's a fact that 95% of all balding or bald men suffer from male pattern baldness.

Male pattern baldness usually starts with a receding hairline at the front and is frequently accompanied with thinning at the top.

Over time, this thinning turns into a full fledged bald spot, and the bald spot grows to cover the head, apart from the sides and around the back.

Regardless of this, as long as there is a single hair left on my head I'll still demand a stylish coiffure.

So, what balding hairstyle options are available?.

The worst balding men's hairstyle is the comb over.

This is the classic look beloved of men of a certain age whereby the hair is grown longer on one side of the head and 'combed over' the bald area to the other side.

This strategy only spells disaster even in the slightest of breezes and is to be avoided at all costs.

But assuming you already know this, what are the other do's and don'ts to balding men's hairstyles?.

The first common mistake is combing the hair straight back.

This may cover bald spots, but it only exposes the forehead and draws attention to the receding hairline.

The second is growing your hair longer at the back to make up for what's lacking on top.

This unbalances the head and draws even more attention to the scalp and the baldness.

Younger men with thinning hair might be tempted to use gel… but this isn't recommended.

Gel clumps your hair together and reveals the scalp.

Likewise, growing your hair long in an attempt to cover up actually causes hair to separate and show more scalp.

So, what are the do's?.

Get more natural looking fluff to your hair by using mousses and conditioners.

Grow your remaining hair by a few inches, get it layered and brush it forward to break up the receding hairline.

If your hairline isn't receding too badly, but the top of your head is thinning, you can get away with keeping the front long and combing your hair straight back to cover the bald spot.

Eventually however, your bald spot will expand.

The ultimate balding men's hairstyle when faced with a shiny bald dome, is to go the whole hog and shave it off or at least a very close trim.

You'll probably be amazed at people's reactions and the compliments you'll get – the shaved look is a totally acceptable balding hairstyle these days.

Start with electric clippers like you find in the barbers.

After you've clipped the heavy stuff, lather up with shaving gel.

This gives you a closer, smoother shave than shaving cream.

Then using a razor, start at the top and shave down with the grain taking care at the back – it's recommended to watch what you're doing with a small mirror.

Shaving your head only takes a few minutes and you don't need to do it every day (two to three times a week is fine).

Taking care of your new shaved head is much like taking care of your face.

Wash regularly with moisturizing soap, rather than a harsh deodorant soap that can dry out the skin on your head.

Also use a good quality moisturizer after every wash – cheaper moisturizers will just clog up your pores.

For the summer, find a moisturizer with a sun protection factor of at least 15 to avoid sunburn on your head.

And you'll need a warm hat in winter to maintain your body heat.

If shaving doesn't tickle your fancy then you can always opt for a hairpiece as a last resort – though I wouldn't recommend it.

For more infomation >> A Guide To Balding Men's Hairstyles - Duration: 6:40.

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Navigating CRE101 Research Guide - Duration: 2:23.

Hi, CRE101 students.

I'm Ann, your class librarian.

This video introduces you to a research guide created specifically for this class.

There's a link to this guide in your Canvas class, but I also wanted to show how to get

to the guide from the Library's homepage.

From the Library's homepage, click on Research Guides.

And, then scroll down to CRE101.

You navigate through the guide using the tabs on the left-hand side.

You're going to be asked to select a community health issue that you're concerned about.

To help you with this step, I'd recommend looking at Brainstorming Topics.

From here, you can sign up to follow the CRE101 twitter account. This twitter account follows many reputable

health news sources.

If you don't want a twitter account, you can also browse through these health news

feeds that change on a regular basis.

Here some interesting health issues.

Binge eating at night, the need to get more sleep, or the use of Adderall on college campuses.

Once you've picked your health issue, you'll be doing research on that topic and on your

proposed solution for your community.

This where Finding the Evidence will be useful.

These three resources (CINAHL, PubMED, and Google Scholar) are excellent sources to locate research.

I highly recommend that you watch these other short videos to help you get started using

these sources.

In this class, you'll also be asked to think critically about the research you retrieved

on your health issue and solution.

This where Evaluating the Evidence will be useful.

In particular, pay attention to the level of evidence of the studies you find.

You'll want to read the "Detailed Explanation About Study Types" when you have the time.

Of course, you'll also be citing your sources, so you may want to look at the APA citation

examples on this page.

And, last by not least, click on help if you get stuck.

Don't hesitate to ask for help from me or your instructor.

For more infomation >> Navigating CRE101 Research Guide - Duration: 2:23.

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Sådan udskifter du støddæmper bag på DODGE CALIBER GUIDE | AUTODOC - Duration: 13:31.

Use an end bit №5 and a combination spanner №15

Use a socket №18 and a combination spanner №18

Use a socket №13

Use a socket №18 and a combination spanner №18

Use a socket №10

Use a combination spanner №15

Using a special tool take out the spring

Use an open-end wrench №15 and an ajustable spanner

Before installing new shock absorbers it is strongly recommended to pump them over for 3-5 times manually

For more infomation >> Sådan udskifter du støddæmper bag på DODGE CALIBER GUIDE | AUTODOC - Duration: 13:31.

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Så byter du stötdämpare bak på DODGE CALIBER GUIDE | AUTODOC - Duration: 13:31.

Use an end bit №5 and a combination spanner №15

Use a socket №18 and a combination spanner №18

Use a socket №13

Use a socket №18 and a combination spanner №18

Use a socket №10

Use a combination spanner №15

Using a special tool take out the spring

Use an open-end wrench №15 and an ajustable spanner

Before installing new shock absorbers it is strongly recommended to pump them over for 3-5 times manually