Auto news on Youtube Oct 1 2017

0.5cm ~ 1cm

Auto news on Youtube Oct 1 2017

Challenge F-150? Gutsy.

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Toyota Avensis Wagon 1.8 VVTi Luna Business - Duration: 0:57.

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Toyota Yaris 1.3 VVTi Aspiration Automaat - Duration: 0:58.

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Toyota Aygo 1.0 VVT-I X-PLAY - Duration: 1:01.

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Toyota Yaris 1.0 16 V-STRBK-BJ 2000-APK 01 NOV 2017 - Duration: 0:49.

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Toyota Yaris 1.0 VVT-i Aspiration 5-deurs | Airco | Camera | Bluetooth - Duration: 0:54.

For more infomation >> Toyota Yaris 1.0 VVT-i Aspiration 5-deurs | Airco | Camera | Bluetooth - Duration: 0:54.

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Toyota Land Cruiser 3.0 D-4D VX | Navigatie | Trekhaak | Climate | Handels-/meeneemprijs - Duration: 0:59.

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Toyota Aygo 1.0-12V Comfort | Airco | CDV | Elektrische ramen - Duration: 0:59.

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Toyota Yaris 1.8 VVTi TS - Duration: 1:01.

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Toyota Yaris 1.5 Hybrid Lease, Navi, Camera, Cruise Control - Duration: 1:00.

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Toyota RAV4 2.0 Executive Business 4WD Automaat! JBL, Trekhaak Leder, Navigatie, JBL Sound - Duration: 0:54.

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Toyota Prius Wagon 1.8 Business Navi, Camera, panodak - Duration: 0:54.

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Toyota Tundra 5.7 V8 Double Cab - Automaat - LPG-G3 - Grijs kenteken - Duration: 0:54.

For more infomation >> Toyota Tundra 5.7 V8 Double Cab - Automaat - LPG-G3 - Grijs kenteken - Duration: 0:54.

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Toyota Prius 1.8 COMFORT Navigatie, climate control - Duration: 1:00.

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Toyota Aygo 1.0-12V 5 DRS AIRCO/ EX BTW - Duration: 1:01.

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Toyota Auris Touring Sports 1.6i Dynamic / Navigatie - Duration: 0:57.

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Toyota Aygo 1.0 12v 5 deurs Airco lichtmetalen velgen - Duration: 1:01.

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Toyota Verso 1.6 VVT-i Aspiration | Panodak | PDC V+A | LM-velgen | - Duration: 0:59.

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Toyota Aygo 1.0 VVT-I X-SPORT X-Shift Automaat, Lage Km! - Duration: 0:59.

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Toyota Avensis Wagon 1.8 VVT-i Dynamic Business | Automaat | Navigatie | Parkeercamera - Duration: 1:00.

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Toyota Yaris 1.3 VVTI ASPIRATION - Duration: 1:00.

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Auto news on Youtube Oct 1 2017

One Sunday, a friend and I decided to go on a short hike to the crater of Taal Volcano.

The trip to the Southern art of Manila

to Talisay, Batangas was almost 2 hours

and yes, Taal Volcano is located in Talisay , Batangas

but a good view of it is seen from the cold city of Tagaytay

since the crater in enclosed in a lake

a boat ride is necessary which cost about P2000 for roundtrip

Good morning!

so we've just been on a 20 minute boat ride

from the other side of Talisay

and now we are here at Pulo, Talisay

So right now, we just need to register

before we begin with our trek

Hello again guys!

So we've already started our trek

I am here with my guide, Adrian

So, as per advise

the trek will take us to about 45 minutes to an hour

and then

right now, the trail is still all flat

but some parts (a few) will be steep going up

I hope I can make it

Because I'm not really a hiker

I'm just trying to be a hiker now

I'll just see you there

Yes, there's a store

and guess what I saw

there's beer

are they sweet?

we stopped here for a while at a cottage

because I can barely catch my breath

so five minute rest

then go back to walking there again

We are getting near the top

this is the final leg of our trek

it's a bit steep

I hope I can still make it

after an hour trek and unlimited sunburn

we are finally here

For more infomation >> A Guide to Hiking Taal Volcano (Cinematic Vlog) - Duration: 5:52.

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18 Relationship Mistakes to Avoid Before it's too late full guide | animated video - Duration: 10:09.

18 Relationship Mistakes to Avoid

No.1, Not taking time for yourself and being too co-dependent.

If you spend every waking moment with your significant other, you will ultimately lose

who you are as an individual.

Things like going to the store on your own will be hard and you will find yourself consulting

that person for every small decision you make.

Take some time to do what you love.

Have your own hobbies, interests and friends.

You will both benefit from this and have a richer life as a result

No.2, Saying "nothing is wrong".

Some issues or insults can seem so obvious that you can't imagine your partner not

realizing they did something wrong.

So rather than discussing the problem, you stay silent and sulk about how they don't

seem to care that you are upset.

When asked, "What's wrong?" it's so much easier and less painful to say "nothing."

It's a momentary band-aid, but the problem remains.

You either stay angry and resentful, or you move on and sweep the unresolved issue under

the rug, which only gives it the opportunity to arise days, weeks, or months later with

even greater ugliness.

No.3, Losing the romance in the relationship.

Losing the romance in the relationship is one of the key reasons why relationships fail.

It is easy to become complacent and slack on making an effort for romance.

The truth is, relationships are work.

Not that you won't have any fun along the way, but you need to remember it takes a focused

effort to be romantic with your partner.

No.4, Comparing your partner to an ex.

The human mind naturally looks for patterns.

When we experience a situation that's even remotely similar to something from our past,

we draw conclusions based on that past experience.

This is how we improve our lives and learn, after all.

But when it comes to relationships, this logic can be detrimental.

For example, let's say your ex took a long time to return your calls when he or she was

losing interest in the relationship.

Lately, your current partner hasn't returned your calls quickly.

Conclusion: Your current partner is no longer interested in you.

Wrong!

Fight your brain's addiction to patterns and remember that every single person and

situation is unique.

This is not to say you shouldn't learn from your past or set standards for yourself.

Rather, keep an open mind and afford each person a clean slate.

One final note: Never, ever say to your significant other, "My ex did that all the time."

Comparing someone you care about to someone you don't is incredibly hurtful.

No.5, Forgetting to appreciate your partner.

Lastly, never forget to tell your significant other, "thank you", or "I love you."

At the beginning of the relationship, you surely noticed all of the kind things that

he or she was doing for you, and praised him or her accordingly.

You said you loved each other all of the time.

Sometimes we forget how awesome the other person is, until we think about it.

Tell your significant other right now how you feel about them!

No.6, Holding back.

Give generously to your partner without expecting your kindness to be returned.

Don't be afraid of loving too much.

Women, especially, often fear that showing too much interest makes them seem needy or

clingy.

If you want to be cautious at the start of a relationship, that's completely understandable.

But once you're both in it for the long haul, give as much as you can.

If your significant other shows affection less openly and often, resist the urge to

match their ways.

Instead, communicate with your partner about how you need to receive love.

Expressing love and showing kindness, will never serve you wrong.

No.7, Keeping secrets from your loved one.

This is something that goes along with keeping communication open—do not keep secrets.

Not that you have to tell the other person every minute detail about your life, but you

should not intentionally keep something major from them.

You know it is a secret that needs to be shared, when you feel even slightly guilty for not

telling them.

It will come out eventually, and sooner is always better than later.

No.8, Not talking about money.

Money is always a tricky subject.

You might have come from different backgrounds.

If one person grew up wanting for nothing and the other has always had to pinch pennies,

there may be some disagreements over how money is spent.

If you are in a serious relationship, even if you have separate money, be sure to discuss

these things as money issues are guaranteed to come up eventually.

No.9, Threatening to break up This is a dangerous mistake that places a

dark cloud over relationships long after a heated argument has passed.

The most fundamental part of a mature relationship is remaining committed in the lowest of times.

By threatening to break up, even if you're saying it out of frustration and don't really

mean it, you're abandoning your partner in a cruel and cowardly way.

You're basically saying, "I'll love you until" or "I'll love you only if."

Threatening to break up is a selfish power play that benefits neither person.

Avoid playing that card at all costs.

When emotions have cooled, you'll be so glad you did.

No.10, Not taking differences in core values seriously.

Even though you like the same music, and enjoy spending time with one another, you will still

have a hard time getting past major differences.

Core values include things like religion, morality, and the importance of things like

family, friends, careers and money.

Take some time to discuss these things, before you move your relationship forward, or you

might be in for disappointment later.

No.11, Fighting about everything.

On the opposite end of the spectrum, do not make everything an argument.

Think about all of the problems you have with your partner, and really consider whether

these are deal breakers, or if you can build a bridge and get over them.

No.12, Constantly questioning your relationship.

Do you sit around wondering whether you, and your partner will still be together next week,

next month, or next year?

Do you take signs of preoccupation expressed by your partner, as evidence of his or her

disinterest in you?

Questioning your relationship means that you doubt it will last, and therefore may be less

likely to feel comfortable about commitments you make about the future.

If you're always looking for a "Plan B," your partner may sense this, and the relationship's

future demise could then become a likely prospect.

No.13, Being too clingy.

It's understandable to want to spend a lot of time together at the beginning of a relationship,

but if you want things to last, and continue along in a healthy manner, give your partner

their space.

Calling and texting multiple times a day, and trying to make daily plans can seem like

overkill.

Remember that you have a life of your own, and it's much healthier to give your partner

their space.

No.14, Getting too serious, too fast.

Even if he or she seems like "the one", and you can picture your future children,

pets and house where you'll throw backyard barbeques, take a second to step back and

chill out.

Getting too serious, too soon can put a lot of unnecessary pressure on a relationship,

and has the potential to scare off your partner.

No.15, Trying to control.

Many of us either have control issues, or things that the other person does that drive

us crazy.

Both of these scenarios can lead to us wanting to control, or comment on every move the other

person makes.

Think about it though, would you like someone telling you what to do every waking minute?

You are not this person's parent.

If he or she is a grown adult, treat them like one.

No.16, Getting jealous for no reason.

Jealousy can put an immediate damper on relationship, especially if it's in no way warranted.

If you find yourself getting jealous every time he or she checks her or his phone, or

feeling the need to question where she or he is, and who she's or he's with minus

any proof of wrongdoing, you could end up pushing your partner away.

No.17, Expecting perfection.

We are all human.

We all make mistakes.

Do not hold your significant other to some unrealistically high expectation.

This is especially hard for those of us who hold unrealistically high expectations for

ourselves, but that's another topic altogether.

No.18, Trying to change the other.

Seeing your partner as an improvement project is a recipe for disaster!

No one likes to think they need to be fine-tuned or changed.

Needless to say, it gives the impression that they are not quite good enough.

If that's the case, why are you with that person?

the Solution is to Remind yourself that no one is perfect, including you.

Appreciate your partner's good qualities, and if somehow you are hurt, or offended by

certain words or behaviors, communicate it kindly and positively.

Seek to inform rather than criticize

For more infomation >> 18 Relationship Mistakes to Avoid Before it's too late full guide | animated video - Duration: 10:09.

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Tiger 1 Review with Guide - World of Tanks Blitz - Duration: 5:54.

Welcome to a new video.

Today this is my first Guide with a review.

Of course at first the review. From the great Tiger 1.

It has normally 1450 HP.

I have 75 Hp more because i have equipment.

It has 100mm at the front, 82mm at the sides and 82mm at the rear.

Same stats at the turret.

It is 57 tons. 819 PS.

The max. speed is 44 km/h.

Traverse speed is 41.72 deg/sec.

24.30 deg/sec with the turret.

Between avg 165-275 dmg.

10.18 rate of fire. That is pretty good for a Tier VII Heavy.

My reload is 5.9sec with the 8,8cm. The Tier VIII Gun.

Aiming time is 4.4

With AP it has 203mm pen.

APCR/Gold 237mm pen.

HE 44mm pen.

220 avg dmg.

From my experience it made between 200-210 avg dmg.

With Gold it makes a bit less dmg.

With HE it makes of course more dmg. (Just on bad armored tanks)

This is a really short review from the Tiger 1.

I'll show you now how to play with it.

This was a battle on Naval Frontier.

This was a Mastery.

I want to show you how i played it here.

I drove trough the mid.

What i expected from our lights/meds that they drive on the light line.

Below C when you look at the minimap.

My plan was to drive to C and to cap it.

Before the enemies come.

When they will come up there we're gonna defend it.

Me and my mates in the C cap will make a little mistake.

Look on the C cap points.

One guy drives back to early. I thought it's done that's why i back up too.

Now we got C.

I stayed there to put a shot into the T69.

Just show your turret.

Our bulldog stands in the way.

I have to go down to support our T-44.

That's why i rammed him out of the way.

Now i'm driving to him.

Go with the Tiger 1 always at the front. Not at the second or the third.

*not important*

Because i know i'm reloading faster than him i'm staying there.

Fire and immediately drive back. So he got no chance to shoot you.

Always check the minimap. (You should do that in every tank btw).

Someone from the enemy team got B and A.

Look at what i'm doing. I'm sidescraping. So he can't pen me.

He shows his fron to me so i can pen him. He doesn't know i have enough pen to shoot trough.

And again he shows his front to me.

Sidescraped everywhere.

There he managed to pen me. Maybe he loaded gold or he shot trough my tracks.

Now i'm pushing because i know he won't come out again with low HP.

After that i'll drive to B and cap it.

He managed to shoot me again.

No, i don't think he loaded gold because he didn't made much dmg in this shot.

There i hoped that the T-43 will come to me.

Now i'm driving to B.

Look at how i play.

If you want to see other tactics with the Tiger 1 check other Tiger 1 videos out. Like mastery's etc.

Or you can watch my older videos about the Tiger 1.

My fav tank^^

Because i know he will come from there, i'm backing up to get more time to cap B.

There he is.

Activating adrenaline because this tank is really dangerous.

I think he got the stock gun. (Stock gun has 1.3sec between the 3 shots).

I forgot what the gun was called.

Playing really offensive.

It's not hard to play it like that. It just takes time, experience and training.

This was a pretty good battle to show that as an example.

I made...

Almost 3K dmg and 2 kills.

Play it like that.

If you have specific questions about the Tiger 1 go ahead.

Like what should i do when my team has more heavies and i'm in my Tiger 1.

Just write it in the comments.

See you next time! "Haut rein" ;)

For more infomation >> Tiger 1 Review with Guide - World of Tanks Blitz - Duration: 5:54.

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Beginners Guide to the FZ300/330 Part 5 - Filters and Close Up Lenses - Duration: 15:50.

Hello I'm Graham and I hope everyone's having a great day and welcome to the

fifth part of this new series I'm running for new users to the Panasonic

Lumix FZ300/330 camera now. In today's video we're going

to be looking at the use of filters and close-up lenses with the camera. It's a

question I get quite often on my Photographic blog, the choice of

filters, which type to use, which situations would use the filters and for

close-up lenses which would be my recommendations for the type of filter

for macro and close at work. Let's begin by looking at probably one of the most

controversial filters - and that's that UV filter. Now the UV filter has its origins

back in the days of film. Film emulsion has a high sensitivity to UV light and

if you shooting landscapes for example you may notice that the distant hills

would turn blue because of the amount of ultraviolet and the water vapour so we

used a UV filter which would eliminate that blue cast to the image. But with

modern digital camera sensors, the sensor itself has both infrared and ultraviolet

absorption layers in front of it so there's absolutely no reason to fit UV

filters to the camera. Now this is where the controversy comes in some people say

that it's a good idea to fit these to protect the front element of the lens

and other people say no, if you do that you're going to degrade the image

quality and you lose a low contrast and you're not actually going to protect the

lens at all. Now I'm of the school that says only fit the filter in an adverse

situation - such as if you're at the seaside and you've got the chance of

salt spray contacting the lens or you perhaps at Motorsports where there's a

chance of flying debris coming hitting the lens but in normal circumstances I

would recommend that you don't fit the UV filter. If you are fitting the filter

make sure the camera lens is scrupulously clean before you fit it and make sure

you clean both the front and back surface of the filter otherwise when

you're in the wide-angle mode you might even see dust on the front surface of

this lens. When you're in that wide-angle position especially if you're shooting

towards the light the camera with his closed focus ability will show you that

dust on the film on the front of the lens. The best form of protection is in fact a lens hood and the number of people I see

carrying cameras around that don't use a lens and it's amazing it's there to

provide both the functionality of protecting the front surface of the lens

and to shade the lens from stray light. So once the lens hoods installed you're

not likely to impact the front face of the lens and in most cases it's going to

shield the light from hitting the camera lens giving you ghosting and flaring and

loss of contrast - so always use your lens hood - It's there for that purpose. If you

are going to fit the UV filter I say clean front and back surfaces screw it

onto the lens and then replace your lens hood. It's not a good idea to stack

filters so if you're going to use say the circular polarizing filter -we're going

to talk about next - you must remove the UV filter before you fit the circular

polarizing filter otherwise you're introducing too many glass to air

elements and the risk of ghosting and flaring the loss of contrast is even

more severe. So let's now look at the circular polarizing filter. Now the

circular polarizing filter is there to reduce reflections in natural light. It

doesn't work in artificial light so it's no use trying to use them indoors to

take reflections off pictures and mirrors etc it won't work but if you're

in natural light outdoors it can reduce the reflection. But there is a caveat as

well - it only works when the light is between 90 degrees and say 45 degrees to

the camera axis. If the sun is back over your shoulder and you're trying to

photograph something you won't see any reduction in reflections at all. Here's a

demonstration clip that I shot. The light is directly over my shoulder and I'm

rotating this circular polarizing filter through 360 degrees and you notice

there's no reduction in that reflection on the leaves. Turn to another situation

where the light is now coming at 45 degrees or between 45 and 90 degrees to

the camera and you can see that as I rotate the filter I can totally

eliminate those reflections from the leaves or the water behind in that case.

So you can see when the light is at 45 or 90 degrees to camera I can totally

reduce those reflections from the leaves or

shooting water you can see that I can reduce most of those reflections from

the water. So the circular polarizing filter screws into the front element of

the lens and then you can rotate it while you're looking through the

viewfinder to see when that cut point appears. Now it's probably impossible to

fit the circular polarizing filter and the lens hood at simultaneously because

you need to get your hands inside to adjust that front rotating ring. So once

that's in there "A" you can't install the lens at afterwards and if you install

the lens hood and then try and install the filter you see you can't get your

fingers in there to adjust the front element so it is a situation where

you're going to be using the camera without the lens hood. So again the

chances of ghosting or flaring because of light striking those glass surfaces

is very much increased. Don't be tempted to try the linear polarizing filter

which again has its origins in the film days. Linear polarizing filter may upset

the way that the camera autofocuses so always choose the circular polarizing

filter for your polarizing needs. Now let's look at another variant to the

circular polarizing filter and it's the neutral density filter. Well the neutral

density filter comes in two varieties one is the variable type and this one is

a variable ND filter. It's basically two polarizing filters - one is fixed and one

rotates and by overlapping the cut angle of each other filters you can actually

totally eliminate the light coming into the camera. Again there's a problem with

that - as you start to go to the maximum densities you do see a colour shift

appearing or in some severe cases you'll see an X appear on the image where the

two polarizing faces cross over. So you can only use them from the minimum to

about three-quarters of the ability to reduce light - but they're useful

especially in video to get you the correct frame rate but I'll talk about

that when we do the video section of this tutorial.

The other filters are the fixed neutral density and this one is the

Hoya Pro ND 200 which is an 8 F-stop filter so that reduces the amount of

light reaching the sense of by a factor of 8 f-stops so it's ideal for shooting

things like running water where you want to create those soft dreamy flowing

water scenes or if you're a seaside you wanted to create a very still looking sea.

Long time exposures are created by using the neutral density filter. If you wanted

further light reduction you could use the Hoya Pro ND 1000 and the Hoya ND

1000 is a 10 stop reduction in light so where the Pro ND 200 is effectively eight

stops reduction the Pro ND 1000 is 10 stops - so it gives you an extra two stops

of light reduction if you wanted to create super long time exposures - so the

reason for these is to extend your shutter time to give you those long time

exposures. With some of these filters there's also the possibility of a colour

balance change especially if you use in the darker filters say the ND 8. You'll

find that you get a colour shift normally towards a green or some cases towards

the magenta dependant on the dye set that's been used with the filter. So it's

worth buying a good filter for both optical quality so you don't get any

reduction in optical quality and "B" the color balance stay neutral as you

use the ND filter. You can of course use a manual white balance to try and reduce

that it may help in some circumstances, I've used the welding filter which is

about 10 stops and again by using manual white balance I was able to get a

neutral picture by using that manual white balance setup in the camera.

Now a variation of the neutral density filter is the use of what are called

graduated neutral density filters. Now to use those you need the adapter to go

with your camera so that goes from the 52 millimeter thread to the 100

millimeter square filter holder. Most of this operation you could do in

post-processing. If you use neutral density filter in something like

Photoshop or Lightroom you can create the same effect but if you don't want to

do any post-processing and you wanted to reduce the amount of burnout in skies

for example you can use one of these neutral

graduated filters. So they clear at the

bottom and they've gotta then a variable graduation from nothing up to a fixed

amount of density so you can slide this into the filter holder and with the

filter holder on the camera you can look through the viewfinder and see at the

point of which you starting to cut off the the amount of light in the sky. It's

ok if you've got a level horizon but sometimes if you've got mountains and

valleys you notice that the graduation darkens the mountains and it looks

slightly artificial. So in those sort of situations is better to create a mask in

Photoshop and then reduce the sky without reducing the mountains. But these

are useful if you wanted to stack things like neutral density and fixed density

so your making long time exposures and your shading down the sky you can

use two filters slight together they're very close together so you don't get vignetting

and with a hundred millimetres frame you don't see any vignetting even

at the wide-angle setting. So if you really want to improve your landscape

photography you might want to consider using the hundred millimeter square

filter holders instead of the circle ones. Now let's look at close-up lenses.

Some people refer to them as close-up filters because it actually 52

millimeter threaded and this screw onto the front of the camera so hence the

name close-up filter. With close-up lenses there are two notation systems -

one is the diopter and your probably gets sets of number one number two number

and some systems even include a number ten which is quite a high magnification and

other systems use the "D" designation. So in fact this one here is the polaroid

250D and that gives a four times magnification so there is a number 500

which gives you two times magnification but the 250D is the one I normally use

as that gives me a nice magnification ratio and a suitable working distance to

my subjects. Now there are two types of lenses one is the single element lens

and the other is called an achromatic lens.

Now the achromatic lens is actually two lenses or three lenses bonded together

to reduce some of these defects that you get with a single element lens - with a

single element lens you get distortion around the outside edge

and sometimes you get what's called colour fringing or chromatic aberration where

the lens can't focus the three colors of red green blue to the same focus point

so you end up with color fringes so it's best if you are going to get into

close-up photography to choose what first of all an achromatic lens so this

is a sigma a chromatic lens quite an old lens but still a very good sharp

close-up lenses. They're very difficult to find now so the hence the reason for

choosing the Polaroid 250d lens as a substitute for it again that's an

achromatic lens 52 millimeters and it screws into the front of the camera and

gives me that four times magnification

Another system is the Raynox system And the Raynox system comes with its

own mount system so the Raynox has a adapter which will fit most cameras from

52 millimeters up to 62 millimetres and it just simply clips into the lens

thread of the camera and then you screw the particular lens that you want into

their adapter. Now that is fine it works well but there is a possibility that you

might just catch the tub and push it off and also if you don't get it on square

you could end up with a part of your image being in focus and the other not

so I tend to not use the supplied adapter but you step up rings from the

43 millimeters that the lens has up to 52 millimeters I've adapted from 43 up

to 52 and then that screws on to the front of the camera like so - and that

keeps the lens nice and optically centered and it's parallel to the film

plane so you don't get any shift in focus or optical shift in the axis as you

screw the lens on. Again they're available in two strengths the 150 and

the 250 if you're a new user to macro photography that 150 is much easier to

use than to 250 and it gives you a little bit more depth of field so if you

are struggling to get depth of field in macro shots and you don't want to use

stacking technologies to produce multiple images and stack them

to one image then the 150 is a good starting lens gives you a nice working

distance to your subject and gives you a reasonable amount of magnification. Now

I'm going to put a link to a page of my blog where I set out the magnifications

and the amount of subject to camera distance that you expect to achieve on

using these close-up lenses on that chart you'll see the various focus

distances you can achieve when you've got the camera set to infinity and when

you've got it set to its closest focus point you'll see the distances you've

got the camera to the subject so dependent on the type of photography

whether you're shooting insects or flowers - you judge the amount of magnification and

the distance you need to be from those charts on that blog page. So hope you'll

go and have a look at that and decide which lens to use. In terms of optical

quality there's not a lot of difference between the Raynox and the Polaroid

system you do suffer from vignetting up to x 4 with the Raynox lens if you look

through the back of the viewfinder when you first install it you see there's a

very dark circle and you've got to zoom out to about x 4 to enable you to move

past that vignetting point if you use the 250 d you can use a camera all the

way from 24 millimetres all the way up to 600 millimetres to get the required

magnification without any vignette in from the lens itself. So hopefully that's

given you some insight introduced of filters and close-up lenses with this

camera and have a look at the photographic blog there's a lot more

information on filters and close-up lens there and I'll put links to those in

the video description below. Now the next video is going to be on shooting video

with the FZ300/330 will be quite a long program - there's a lot to talk about

recording sound with the video it's likely to be about three weeks before I

can gather ready because I'm into the middle of a very large DIY project at

home and it's going to take me about another two weeks to be able to complete

that before the weather starts to get too bad here in the UK. So hopefully I'm

going to get you that video within the next two to three weeks depending on the

weather outside etc. So until the next one thanks again for watching if you're

new viewer to the channel please check out the previous

four of the videos. There will be a playlist in YouTube so you can actually look at

the previous videos - so until the next video thanks very much for watching

please do take care and I'll see you all in the next one.

Goodbye for now.

For more infomation >> Beginners Guide to the FZ300/330 Part 5 - Filters and Close Up Lenses - Duration: 15:50.

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Allen Edmonds Shoe Polish Color Guide | Saphir Medaille D'Or - Duration: 19:11.

Hi I'm Kirby Allison founder of The Hanger

Project. In today's video,

I'm going to show you how to match the perfect

Saphir Medaille d'Or shoe polish color

to your pair of Allen Edmonds dress

shoes. One of the most frequent questions

we receive here at The Hangar Project is

what color shoe polish should I use for my

Allen Edmonds?

Now we received that specifically for Allen

Edmonds because it's one of the most

popular

and certainly most important shoe

companies here in the United States still

manufacturing high quality

fully welted dress shoes

in America.

For the money, about $395

for these dress shoes we have here.

You really can't beat it.

And one of the things that I always say is that

if you're looking to really invest

in a proper dress shoe that's going to last

years if not decades;

you really need to be at the Allen

Edmonds quality level

or better. The full 360

degree Goodyear welting means that you

can resole your shoes as often

as you need to.

And Allen Edmonds uses a really high

quality upper leather that

is only going to look better

with time

and only going to look better

with proper polish.

If you have any questions

or comments during this video,

please ask them in the comments section

below. Let us know what you think.

Do you wear Allen Edmonds?

What type of Allen Edmonds shoes do

you have? And then if you had any challenges

choosing the proper color shoe polish

for your pair of AE's.

When selecting your shoe polish color

it's important to understand that there's never going to be

a perfect match.

I mean with the exception of black it doesn't

matter how many different shoe polish colors

you have.

You're not going to be able to find the perfect

pigmented cream polish

that is made for the pair of

shoes that you have.

The reason is is that there are so many different shoe

manufacturers out there that

a medium brown

or a light brown from one company to another

is never going to be the same.

And even

with the same shoe it's never going to be the same.

Allen Edmonds for instance hand applies

all of their finishes,

so if you pull out five different pairs

of Walnut Allen Edmonds

shoes,

most likely each of those shoes

is going to have a slightly different finish

and that's one of the things I really love about

a high quality pair of shoes.

Part of the magic of polishing your

own shoes is to see how that finish,

the patina,

evolves over the lifetime

of the shoe as you put more

polish into the leather.

And choosing your shoe polish color,

you really have an opportunity to make

a decision as to what direction

you're going to take that finish so that those

shoes are really personalized to

you.

I have a pair of Allen Edmonds dress shoes

in each of the five most popular

finishes that I think

that anyone should consider.

Now these are the most kind of traditional

conservative finishes that you're going to find

on all of Allen Edmonds most popular

models.

Of course we have Black

and then we have Oxblood,

Brown,

Walnut and Dark Chili.

5 beautiful finishes

and really you couldn't go wrong

with a pair of Allen Edmonds shoes in

any of these colors.

The first pair of dress shoes I bought in college

was a black pair of Allen

Edmonds Park Avenues.

This cap-toe Oxford is certainly one of the most

traditional formal dress shoes

that you can buy.

And then the color black,

you can wear it for anything.

You can wear it during the day,

you can wear it at night,

you can wear it to a wedding,

a funeral or to your first interview.

So if you're only going to buy one

shoe, this is the shoe to

invest in.

Now Black is easy of course you're going to use

a black shoe polish.

Now what's great about the Saphir

Medaille d'Or black polish

and as you can see here

is that again it has

such a high concentration

of pigment in it that you really

get great saturation of the

finish itself.

Even though if you're buying a pair new

from the factory, I absolutely

recommend polishing them first.

We have a video on how to shine a new pair

of shoes.

There is no polish

or actual finishing on a pair of shoes

straight from the factory.

So if we were to polish these

with a little bit of cream polish

and then buff it off you would actually see

a real nice shine begin to develop.

Also the waxes in both the cream

and the wax polish are going to help protect

the leather

and just give it that,

that finished look of a

well cared pair of shoes.

With black, of course I'd

recommend a black polish.

Next, I have a pair of Park Avenues in

Oxblood. Now Oxblood is a beautiful

finish that combines red

with a little bit of black to create

a deep kind of burgundy

that has visual interest.

Right. It's got color,

but it still means business.

It's still formal So there's several

different color polishes that you could use

here. And once we get away from

Black into some of the other finishes,

we're really going to see how different polishes

can take the shoe in a different direction.

First is Hermes Red.

The second color is Mahogany.

And then the third possible color you could use

is Burgundy.

Right. Now each of these three

polishes are going to take this shoe

in a little bit different direction.

So let's take a look

at how that would work by smearing

the polish on a little bit of white paper.

I like to take a pigmented polish

and smear it on paper

because it allows you to really better

see the pigment

in the polish and where that would take.

Hermes Red

has more red in it.

Mahogany is more of

the Brown family.

It still has some red,

a little bit lighter of a red than the

Hermes Red and is probably a little bit closer

to brown. And then last is

Burgundy.

Burgundy absolutely has

very strong hints of purple.

So first I'm starting

with the Burgundy

and the Burgundy really blends

into

the Oxblood quite nicely.

But again those purple pigments

are going to darken the leather

slightly so

with the burgundy polish again we're bringing

out some of those purple undertones

that you get whenever you mix black

and red. And next time going to show you

what the Hermes Red looks like.

It sounds like a strong pigment color,

but as I apply it here.

It too

blends in quite nicely.

So if you were to use Hermes Red on

these Oxbloods,

again you would be pulling out that red

finish.

It's still quite subtle,

but nevertheless looks great.

Now last is the Mahogany.

And Mahogany,

again as I said has a little

bit less red in it than the

Hermes Red

and more brown

and so of the three polishes,

this one is the one that I would say

probably least matches

this Oxblood finish.

So if you were looking to mute

the finish,

maybe you would use a Mahogany.

But of the three different pigment colors that we

have here I would say that Mahogany

actually matches this Oxblood

the least.

My two recommendations for the Allen

Edmonds Oxblood is

either the number 12

Hermes Red if you want to accentuate

some of the red in this finish

or the number 8

Burgundy if you want to bring out

the purple.

Next we have the

Allen Edmonds Brown finish.

This is the Fifth Avenue in brown.

Now the Fifth Avenue is a slightly

less formal dress shoe than the Park

Avenue because of the broging across

the cap,

but still very much a formal

dress shoe.

Now to call this Brown is really

honestly a little misleading because

this is a dark brown.

And so for this shoe the only

polish that I would recommend is going

to be the Saphir Dark Brown.

The number 5 Dark Brown

is almost a black

and as you can see from this shoe,

it is such a dark finish that

in low light it would be mistaken

for a black.

So if I smear this

onto again my swatch

card you can see

that it is almost as dark

as that black.

I mean it is a proper dark brown.

And I've got a little bit of scuffing right here.

I'm going to put this polish over

that scuff mark

and you can see that the Dark

Brown really perfectly

matches the Allen Edmonds brown

color.

Let's buff that off and see how that works.

So that scuff mark all

but completely removed

with a little bit of additional polish,

the waxes would really help completely

conceal that.

But from a pigment perspective,

any discoloration from scuffing is going

to be fixed very easily

with a good cream polish.

So here I have the

Allen Edmonds strand in their Walnut

color.

Now walnut is a beautiful

medium brown.

This is probably the second dress

shoe anyone should buy next to the black.

Everyone needs a good brown

that's not too light,

not too dark.

This to me is the quintessential brown

dress shoe. Now what's nice about the Strand

is that as you can see there's a little bit more

brogging across this.

So again it's a less formal shoe

than say this the Fifth

Avenue or the Park Avenue

which is perfect for Brown.

So,

for this shoe there's two polish colors

that I think you could use.

One is the light brown.

Now the light brown again

is slightly lighter

than the finish of this shoe.

And so you're not going to have to worry about

it excessively darkening

the leather but it still has enough

pigment in it that

if you have any type of scratching

it's going to fill that in.

And depending on what area of the shoe

you know, the light brown is either

a perfect match where

the polish saturation is not that great

or it's a little bit dark where you see

some more burnishing.

So you could also use

the Medium Brown.Now

the Medium Brown

would definitely darken this a little bit.

And if I put this on the swatch card,

you're going to be able to see the difference

in these two.

Definitely darker.

If I put it on the lighter area

of the shoe you can really see how it makes

a difference. It's going to darken that a little

bit.

But here, say on the toe cap

it's slightly less dark.

Now,

let's see.

Here is the Cognac.

You might also be able to use the

Cognac on here.

The Cognac again has maybe a little

bit too much red in it.

That's not to say that you couldn't use it you just

have to understand how that red is going to bring

the finish of the shoe you

know as I said earlier

you know choosing the correct polish

color is more of an art

than it is a science

and is a complete function of personal

preference.

You absolutely cannot ruin a pair

of dress shoes by using the wrong polish color

as long as you're not trying to use a black

on a light brown pair of shoes.

For the Allan Edmonds Walnut finish,

if you're looking to really maintain

that original finish,

I'm going to recommend the number

3 light brown.

If you're OK with the slight darkening

or if you want to introduce a little bit

of a burnishing

or antiquing affect to these Walnuts,

then I would recommend the number 37

Medium Brown.

And if you really want to play around

with the finish of your shoes you could absolutely

use the number 10

Cognac.

Here is the Allan Edmonds Dark

Chili. Now the Dark Chili is

really a medium brown to

a medium to dark brown

with a little bit of red

introduced into the finish.

It's a beautiful shoe.

It's shown here in the McAllister

wingtip which is your

classic wingtip dress shoe.

Formal

but still certainly more

visually interesting than your plain

cap-toe Park Avenue.

So for these shoes I would recommend

either the Tobacco Brown,

which would darken the finish slightly

or the Medium Brown.

Now the Medium Brown is probably the

safest polish to use if you're looking

for really just maintain

the finish of these shoes.

It blends in nicely.

It'll fix any type of scuffing you

have without unnecessarily

darkening the finish.

So let's see how that buffs off.

Now the Havana Brown is

going to be slightly darker than the Medium

Brown.

It's not going to

dramatically change the finish,

but it's perfect for

the areas of the shoe where there is a little bit

of burnishing.

And once you massage this

and smooth it out across the leather,

again

it's going to darken it slightly in the light

areas,

match perfectly in those dark areas,

but absolutely works

with this Dark Chilli.

The McAllister wingtip in the Dark

Chili is a beautiful classic shoe

that certainly is not out of place

in any classic wardrobe.

If you're really looking to darken this

and kind of further the antiquing,

I recommend the number 30 for

Tobacco Brown.

And if you just want to maintain that finish

without any risk of darkening,

then I would recommend the number 37

Medium Brown.

Here at The Hanger Project,

I really recommend the primary use

of a cream polish

and polishing your shoes.

Now most people only think of a wax

polish whenever it comes to shining their shoes

but a wax polish doesn't have the

same concentration of pigment that's

going to renew

and refinish the patina of

the shoe

and second a wax polish isn't

going to do as good of a job as a cream polish

to nourish

and condition

and to feed that leather to

keep it looking soft

and supple

and to prevent any type of drying that

may result in cracking.

The Saphir Medaille d'Or

Pommadier cream polish is widely considered

by shoe aficionados to be the highest

quality cream shoe polish out there

in the world. The reason is it

uses an all natural pine base

turpentine

and a high concentration of shea butter,

waxes and other nutrients that

are going to feed the leather

to keep it soft,

supple and to prevent cracking.

Since the Allen Edmonds shoes uses

such a high quality leather,

an open grain leather that hasn't

been unnaturally treated

or closed, it's even more

important to use a high quality

luxury shoe polish like the

Saphir Medaille d'or. Spending a little bit

of extra money on your polish will really

make a difference in how these shoes

look and last for the long term.

One of the frequently asked questions that we receive

here at The Hanger Project is what to do

with a new pair of dress shoes.

So let's just say you just went out

and bought your first pair beautiful Allen

Edmonds dress shoe.

Can you just put them on

and start wearing them?

Spending a little bit of time right when you

receive a pair of dress shoes to polish them

is absolutely something we recommend.

The reason is because no factory

that's making ready to wear shoes

has the time to actually hand

polish a pair of shoes.

So although it's finished

the leather is dyed.

It looks great.

They haven't actually been polished

with a proper shoe polish.

And then certainly any new pair of shoes

needs their own shoe trees.

The reason is is that as you wear

a pair of shoes,

the shoe leather is going to absorb

moisture as you're flexing the

shoe, it's going to naturally

bend.

So whenever you take your shoes off at the end

of the night you're going to find that they naturally

kind of flex upward.

Now the purpose of the shoe tree is it stretches

that shoe flat so that

as the moisture begins to evaporate

the shoe dries flat

and not bent.

Second of course is lacing the

shoes.

Some shoes come laced,

sometimes the salesperson

at the shoe store will lace them for you.

But we have a video specifically

showing you how to lace your shoes

using the straight across our

barbell method,

which I think looks the cleanest on

a formal pair of dress shoes.

Another question that we receive often

here at The Hanger Project is what happens

if I used the wrong shoe polish

on a pair of shoes.

Well it's not the end of the world.

Any polish that you put on top of a

pair of leather dress shoes can easily be

removed using the Saphir Reno mag,

which basically pulls off anything

placed on top of the original finish

but is still safe to use without

affecting the original dye.

Second I always recommend first

testing the polish on a small

kind of hidden

or discrete area of the shoe

just to see how the leather is going to interact

or play with the polish that you're using

because it's always going to change

just a little bit and you can never be quite

certain of what is going to look like.

And then of course here at The Hanger Project

we sell samples of all of our polishes.

So if you want to try a few different polishes

off before you commit to purchasing an entire

jar, take a look at our shoe polish

section and we offer small

tiny samples that you can use to verify

finish. Now Allen Edmonds has

way more than just five finishes.

They've really done a fantastic job

at adding new

and interesting finishes across

their entire range.

Now these four models that

we show here are just available

in the finishes that I've shown.

But a lot of them are more seasonal collections

come in colors like blue,

green you know

beautiful different the patinas.

And so my suggestion would be to

take a look at our polishing notes

to order samples if you'd like to

and just go with what you think is going

to be the closest match.

Lastly,

if you have any questions about what

type of shoe polish you should select

for a color that we didn't cover here

or maybe from a pair of shoes from

a completely different brand.

Don't hesitate to email customer service

with a link to a photograph of the shoe

or an actual photograph of the shoe

and of course we'd be more than happy to

help coach you in selecting the right polish.

If you have any questions about

anything we discussed in this video

don't hesitate to ask them in the comments

section below.

I get back to all those questions myself

personally.

Also let us know what's your favorite

Allen Edmonds finish?

How do you shine your shoes?

Do you have any tips for us on things

that you've learned?

And then any stories you have just about

Allen Edmonds.

It's a great all-American shoe brand.

It's certainly one of the top shoes that

you can get for the under $400 price

point. And we always love to hear

about what our viewers think.

If you like this video give us the thumbs

up and subscribe to our YouTube channel

so that you can receive notifications whenever

we release our next video.

I'm Kirby Allison. Thanks for joining us.

For more infomation >> Allen Edmonds Shoe Polish Color Guide | Saphir Medaille D'Or - Duration: 19:11.

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Orlando | Epcot – Disney Theme Park | Travel Guide | Episode# 7 - Duration: 6:11.

Hipfig Travel Channel offers DIY Travel Video Guides for more than 25 cities in

Asia, US, and Canada. If you like this video then subscribe, give us a thumbs up,

or a comment. Welcome to Hipfig's Travel Guide Series

in Orlando. Florida. Planning to visit Epcot in Orlando? Then watch this Travel

Video for free tips and insights to save you time and money. Make sure to watch

the entire video so you don't miss any tips. There are several ways to get to

Epcot. If you're staying at a Disney Resort you can take a water taxi, Disney

transport bus, or monorail to Epcot. Check with your hotel. If you're being dropped

off by taxi or private car , you'll be dropped off near a designated spot near

the entrance of Epcot. If you are taking the LYNX bus, you will have to take

LYNX bus route number 50 or 56. It will drop you off at the Disney Springs

Transfer Center or the Disney World Ticket and Transportation center also

known as the TTC for the Magic Kingdom. We recommend getting off at the TTC. Here

you go through security and then board the Express Monorail to Epcot. If you're

driving your own car, take I-4 and take exit 67. Follow the signs for Epcot and

pay for parking at the toll booth. Park your car as directed. Your parking fee

allows you to park at any of the four Disney parks and have in-and-out

privileges on that day only. After securing your, car walk to the tram

entrance and take the Disney tram to the main entrance of Epcot. Tip 1: take a

picture of your parking Lane and Row number on your phone or write it down so

that you are not looking for your car at the end of the night. The parking lot is

huge and it is not uncommon for people to forget after a long day where they

parked. We have witnessed tired parents and kids looking for their car in

desperation, so don't let this be you! At the main entrance of Epcot you will go

through security and purchase your ticket if this is your first Disney park

visit. Then go to the entry gate after you purchase your ticket for Disney. You

will have to exchange your ticket voucher for a card or MagicBand at the

ticket counter. If you are not staying at a Disney Resort

you will get a card when you purchase tickets for your park admission. You will

have the option to upgrade to a Magic Band for an additional fee. Your Magic

Band or cards will be linked to your fingerprints, name, and my Disney

Experience app account. MagicBands and cards are non-transferable and will

allow you to enter Epcot with a valid admission with your fingerprint. It will

also allow you to reserve three fast passes online through the my Disney

experience app and check in at Fast Pass entrances. We had both the card and

the MagicBand and we prefer the Magic Band as it was more

convenient and made for a nicer souvenir The first area you'll encounter in Epcot

is the Future World sections. Most of the rides are located here

Tip 2: make sure to visit Club Cool by the fountain for complimentary samples of

coca-cola drinks from around the world. It's a great place for a sugar pick-me-up

Tip 3: download the my Disney experience app and link it to your card or Magic

Band. You only need one account but you can

enter each person in your party. You can immediately sign up for a Fast Pass for

popular attractions to save time in line even days ahead of your visit once you

have the app. Tip 4: all rides are indoor so you don't have to worry about

them being stopped when the rain comes Tip 5: if you don't have a smart phone

that works in the US you can get fast passes once you're at Epcot. The Fast

Pass kiosks are located before the fountain along the main walkway which

leads to Futureworld east and west Tip 6: Epcot has a single rider line for

Test Track. This line moves faster than the standby line and doesn't need a fast

pass. If you don't mind sitting next to a stranger then this time-saving tip

is for you. Tip 7: go visit all the attractions in the Futureworld first

then visit the Showcase Plaza rather than going back and forth which is

tiring when walking. When planning fast pass times, arrange to plan attractions in

the Futureworld in the first half of the day. The World

Showcase features 11 countries with a building, a movie, or a show that

highlights that country. All cast members are from the country in which they work

which is a nice bonus. The World Showcase area is more relaxed and is

geared towards adults. Alcoholic beverages from around the world are sold

at Epcot. There are no rides in the section with the exception of the boat

which crosses the lagoon. At the end of the night the fireworks show is

presented in this section of Epcot. Tip 8: Find a bench along the water. There are

several park benches that you can sit on along the waterfront but you'll have to

reserve them at least an hour before the show. You can also get a fast pass for

the fireworks viewing area Tip 9: bring a plastic refillable water bottle with you

you can refill it with ice and water for free at any of the restaurants just ask

the servers. You can also bring some snacks like fruits nuts or chips you

will easily save $30 to $50 per person in water and snacks. Tip 10: it

often rains in Orlando, especially June to September, so pack a rain poncho

We will have a link so that you can buy plastic refillable bottles and quality

rain ponchos online before going to the park under Epcot in destination Orlando at hipfig.com

Epcot is a true celebration of human potential and technological

innovation.

Happy Travels.

Go to hipfig.com for more information or go to our

Hipfig Travel Channel on YouTube and be sure to subscribe for regular updates

For more infomation >> Orlando | Epcot – Disney Theme Park | Travel Guide | Episode# 7 - Duration: 6:11.

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Starting a Blog Guide - How to Become a Blogger - Duration: 1:50.

For more infomation >> Starting a Blog Guide - How to Become a Blogger - Duration: 1:50.

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Industrial Air Compressor Rentals - Ultimate 2 Minute Guide - Duration: 0:48.

When doing a short-term project, some of our clients prefer to rent an air compressor instead

of purchasing a new unit.

If you find yourself trying to make up your mind about what kind of air compressor to

rent, there are a few key elements to consider.

The type of industrial air compressor rental depends on the work needing to be done.

If you're looking to do a few simple jobs, then a small unit will suffice.

If the work entails using heavy equipment, then a larger unit is needed.

Condition of the unit is often one overlooked aspect of air compressor rentals.

You need equipment that has been well-maintained and kept in good condition.

Are you ready to rent your air compressor?

At Reap Air, we offer a variety of compressor units.

From 5hp all the way up to 200hp.

Visit our website to browse our selection today.

Auto news on Youtube Oct 1 2017

Auto news on Youtube Oct 1 2017

Local Crew plans to travel to Puerto Rico - Duration: 1:42.

For more infomation >> Local Crew plans to travel to Puerto Rico - Duration: 1:42.

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